LAKE PLACID, N.Y. – The Lake Placid Olympic Museum brought home the top prize in the educational programming category at last week’s annual International Sports Heritage Association (ISHA) Conference hosted by the National Baseball Hall of Fame and Museum in Cooperstown, N.Y.
The Olympic Museum earned the ISHY award for its program titled Mythical Mascots: The Legendary Tales Behind the Olympic Icons, a mini-museum packed into a traveling trunk that is available for use in classrooms and other learning centers. Filled with artifacts, hands-on activities, and engaging lesson plans, this educational outreach program brings the inspiring history of the Olympic Winter Games to life.
It was the second year in a row that the Olympic Museum has earned an ISHY award for educational programming. Last year’s Olympic Host City Mock Election program was designed to engage students in the intricate selection process of the International Olympic Committee (IOC) for electing future Host Cities for the Olympic Games.
ISHA is the world’s largest membership group for sports museums, halls of fame, and the preservation of sports heritage. The annual “ISHY” awards allow member organizations to highlight the work they have done during the year in many different categories. Winners are selected by the ISHA awards committee.
2025 WINNERS
Books
Carolina Panthers for Carolina Panthers 30 Seasons Book
Publications
National Baseball Hall of Fame and Museum for Hall of Fame East-West Classic: A Tribute to the Negro Leagues All-Star Game Program
Marketing Materials: Ads/Graphics/Etc.
St. Louis Cardinals Hall of Fame and Museum for Viva Los Cardenales New Exhibit
Marketing Materials/Social Media Campaign
World of Little League Museum for Social Media Campaign to Celebrate the 50th Anniversary of Girls Playing Little League Softball and Baseball Marketing Materials
National Baseball Hall of Fame and Museum for Social Media Campaign: School Resource Kits
Marketing Materials/Video/Audio
World of Little League Museum for Beyond the Diamond: Celebrating 50 Years of Little League Softball – 5 Part Series Documentary
Education Programming
Lake Placid Olympic Museum for Educational Programming: Mythical Mascots
National Baseball Hall of Fame and Museum for Black Baseball Initiative Educational Outreach Program
Hall of Fame Inductions
Mason County Sports Hall of Fame for Mason County Sports Hall of Fame Class of 2024 Induction Program Videos
Mississippi Sports Hall of Fame & Museum for 2024 Induction Supporting Materials
New Video/Digital Exhibit Under $7,500
Nova Scotia Sports Hall of Fame for Where We All Can Play Exhibit Sneak Peak
World of Little League Museum for Digital Exhibit: The Story of #11
Texas Golf Hall of Fame and Museum for Judy Rankin Legacy Video and Digital Museum Exhibit
New Video/Digital Exhibit
National Baseball Hall of Fame and Museum for The Souls of the Game Video Exhibit
BC Sports Hall of Fame and Museum for Digital Indigenous Sport Gallery Video
MORE INFORMATION
For more information about the Mythical Mascots program and the Lake Placid Olympic Museum, visit www.LakePlacidOlympicMuseum.org. Additional information about the International Sports Heritage Association can be found at its website: www.sportsheritage.org.
Established in 1982, the New York State Olympic Regional Development Authority (Olympic Authority) was created by the State of New York to manage the facilities used during the 1980 Olympic Winter Games at Lake Placid. The Olympic Authority operates Whiteface, Belleayre, and Gore Mountains, Mt Van Hoevenberg, the James C. Sheffield Speed Skating Oval, the Olympic Jumping Complex, the Olympic Center, and the Lake Placid Olympic Museum. As host to international, national, regional and local events, the Olympic Authority’s venues are destinations and economic catalysts of the regions it serves.
New York, NY—The New York Historical’s new exhibit, The Gay Harlem Renaissance, examines the Black LGBTQ+ artists, writers, and performers central to the Harlem Renaissance and everyday Black gay life in the early 20th century. Marking the centennial of The New Negro—the landmark 1925 anthology edited by Alain Locke—the exhibition traces the queer creativity, friendship circles, and mentorships that flourished in Harlem’s salons, social clubs, and thriving nightlife and that helped power the Harlem Renaissance.
This may well be the first exhibition to explore the Harlem Renaissance through a LGBTQ+ lens. “The Gay Harlem Renaissance” is on view through March 8, 2026.
As Harlem grew into the nation’s largest Black metropolis after the First World War, Black Southern and Caribbean migrants, activists, and creatives transformed the neighborhood into a nexus of political activism, creative expression, and community life. Many of Harlem’s most celebrated poets, novelists, and artists were gay or bisexual (some discreetly and others openly); and many of the preeminent blues singers performing in nightclubs and basement speakeasies were lesbian, bisexual, or transmasculine.
Gladys Bentley is featured in New York Historical’s “Gay Harlem Renaissance” (unidentified photographer, 1946-1949. Gelatin silver print. Collection of the Smithsonian National Museum of African American History and Culture)
Whether on Harlem’s biggest stages or in its nightclubs or hidden speakeasies, LGBTQ+ performers took center stage. Together they helped shape the cultural innovation that defined the era. Amid this cultural convergence, queer and straight artists formed close-knit circles—living together, mentoring one another, and exchanging ideas that shaped the future of Black art and culture. Their creative tensions—whether over how openly to depict same-sex desire or the so-called “unrespectable” venues of Harlem’s nightlife—helped shape the bold, expansive spirit of the Harlem Renaissance.
“The Gay Harlem Renaissance provides a sweeping portrait of Harlem after the First World War, when a remarkable generation of Black artists, thinkers, and performers—many of them members of the LGBTQ+ community—shaped a new cultural vanguard,” said Dr. Louise Mirrer, president and CEO of The New York Historical. “We hope that this show will invite visitors to consider how intimate friendships, chosen families, and radical ideas about identity helped define the Harlem Renaissance and continue to resonate today.”
“The Gay Harlem Renaissance shows that Black LGBTQ+ life was far more visible, accepted, and integrated into the daily life of 1920s Harlem than most people imagine,” said George Chauncey, the exhibition’s chief historian, a Columbia history professor who is the author of Gay New York, 1890-1940. “The exhibition takes visitors to the basement speakeasies, rent parties, and drag balls where ordinary queer and straight people built lives together, as well as to the salons of the cultural elite.”
Featuring more than 200 objects, The Gay Harlem Renaissance unites painting, sculpture, artifacts, documents, photographs, books, and music from collections across the country and celebrates the creativity, innovation, and resilience of Black LGBTQ+ Harlemites.
Highlights of the exhibition include:
Employment of the Negro in Agriculture, a 1934 painting by Earle Richardson, on loan from Howard University, honors the resilience of African American agricultural laborers within the oppression of the Jim Crow system.
Color, the 1925 first edition of Countee Cullen’s first book of poetry, published when he was 22. Countee Cullen found a champion and mentor in Alain Locke, who included his poetry in The New Negro and helped Cullen accept his sexuality.
Gelatin silver print of Gladys Bentley, circa 1927-45. Taunted as a child for her unfeminine demeanor, the transmasculine performer Gladys Bentley became a star in Harlem, singing and playing piano all night at rent parties and popular nightclubs. Her signature white tuxedo and top hat have become icons of queer self-expression on and off the stage.
Rent party tickets. Throwing apartment parties with a small cover charge in exchange for entertainment and lively company helped working-class residents pay the rent. The fact that LGBTQ+ Harlemites could dance and flirt with people of the same sex at such parties was a powerful sign of their acceptance among Harlem’s working-class residents.
Meditation and Music, a 1925 watercolor by Aaron Douglas. Influenced by the work of Alain Locke, Douglas moved to Harlem, where he illustrated some of the most famous books and magazines of the Harlem Renaissance. While Douglas was not gay, he was close to many Black queer artists and moved in their social circles.
Sculptures by Richmond Barthé, whose artworks chart his movement through interracial and transatlantic gay social circles. His subjects included the popular singer and nightclub owner Jimmie Daniels and the queer Senegalese dancer François “Féral” Benga, whom he met in Paris.
1939 issue of The Crisis magazine. Black publications experienced tremendous growth in readership, circulation, and influence during the interwar years. The Black press provided coverage of the vibrant political, cultural, and social life in Harlem and beyond.
Photographs by Morgan Smith and Marvin Smith created an extraordinary documentary record of the Harlem community from the 1930s to 1950s. Their work captured Black joy and struggle alike. They came to know most of the pioneering figures of the Harlem Renaissance as well as rising talent.
Recordings of blues songs with queer themes by singers such as Bessie Smith, Ma Rainey, and Ethel Waters, as well as specially created audio recordings of poetry by Langston Hughes and other poets, as well as a passage from Nella Larsen’s novel, Passing.
Recreation of the prize-winning gown worn by Bonnie Clark at the 1932 Hamilton Lodge Ball, the largest drag ball on the East Coast, which was held every February in Harlem’s Rockland Palace.
Harlem Diner, a 1938 painting by Jacob Lawrence, depicting five Black figures with downturned expressions gathered in a Harlem diner, facing the struggles of daily life. During the Great Depression, Harlemites faced mass unemployment, overcrowding, and persistent racial discrimination.
The exhibition is curated by lead curator Allison Robinson, associate curator of history exhibitions; with Anne Lessy, assistant curator of history exhibitions and academic engagement; with Rebecca Klassen, curator of material culture and decorative arts, contributing; and with George Chauncey, author of Gay New York and DeWitt Clinton Professor of American History at Columbia University, as chief historian.
Programming: A family guide for young visitors to the exhibition will be available. Living History programs focused on Gladys Bentley will also take place at a future date. Visit the family calendar for details. Private group tours can also be arranged throughout the exhibition.
Lead support for The Gay Harlem Renaissance is provided by the Mellon Foundation. Important support is provided by Pamela and David Hornik. Exhibitions at The New York Historical are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, the Evelyn & Seymour Neuman Fund, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. WNET is the media sponsor.
New York’s first museum, The New York Historical is a leading cultural institution covering over 400 years of American history. Offerings span groundbreaking exhibitions; peerless collections of art, documents, and artifacts; acclaimed educational programs for teachers and students nationwide; and thought-provoking conversations among leading scholars, journalists, and thinkers about the past, present, and future of the American experiment. The New York Historical is a museum of museums and a collection of collections and home to the Patricia D. Klingenstein Library, the Center for Women’s History, the DiMenna Children’s History Museum, and the future American LGBTQ+ Museum. “We elevate the perspectives and scholarship that define the United States’ democratic heritage and challenge us all to shape our ongoing history for the better.”
The New York Historical, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.
New York —Encouraged by unprecedented demand, the Anne Frank House announced the second and final extension of its world premiere presentation of Anne Frank The Exhibition in New York City at the Center for Jewish History. The exhibition will remain open through February 1, 2026, before moving to the next U.S. city.
During this final extension of Anne Frank The Exhibition in New York, organizers are providing complimentary admission on several select dates, opening the doors to even more visitors to remember and reflect on Anne’s legacy. Special access days provide complimentary admission for two adults and up to four children, as noted below.
“It has become powerfully evident since the opening of this exhibition that people from every walk of life feel a deep, urgent need to connect with Anne’s story and confront the realities of the Holocaust firsthand. The reflections and courageous conversations sparked by every visitor have shown how this exhibition has a role in challenging hate,” said Ronald Leopold, Executive Director of the Anne Frank House. “Our responsibility to honor Anne’s legacy grows stronger each day. Extending the exhibition is a necessary response to the troubling state of antisemitism and hatred around the world. And soon, we will introduce an innovative resource designed to help educators and students build a deeper, more informed understanding of antisemitism—at a moment when consensus is most at risk. We are unwavering in our resolve to fight all forms of hate, fueling understanding and resilience through education.”
Since its opening, Anne Frank The Exhibition has drawn hundreds of thousands of visitors, including students, teachers, and librarians from almost every state across the nation and more than a dozen countries, providing an immersive experience in the heart of Manhattan and offering deep historical context through never-before-seen artifacts, multimedia, and Anne’s powerful personal narrative.
Anne Frank The Exhibition is the first time ever that the Anne Frank House presents a pioneering experience outside of Amsterdam to immerse visitors in a full-scale recreation of the Annex rooms, fully furnished, where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.
Moving through the exhibition, visitors can immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt through the rise of the Nazi regime and the family’s phased move to Amsterdam across 1933 and 1934, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old.
Four exhibition galleries immerse visitors in place and history through video, sound, photography, animation, and more than 100 original collection items from the Anne Frank House in Amsterdam. Anne Frank The Exhibition provides an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.
The New York City exhibition occupies over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts can be seen in the United States—many have never been seen in public.
Artifacts in the exhibition include:
Anne Frank’s first photo album (1929-1942);
Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
Handwritten verses by Anne Frank in her friends’ poetry albums.
Special Access Days with complimentary admission:
General admission tickets are available every day the exhibition is open, and complimentary admission will be offered to select visitors on the following dates:
Thursday, September 11th: All day access for Hometown Heroes (police officers, firefighters, first responders, medical professionals, and military personnel)
Thursday October 9th and Friday, October 10th: All day access for librarians, in recognition of Banned Books Week
Thursday, October 9th: Access for Queens Public Library Card Holders from 3:30 p.m. to 6:30 p.m.
Monday, October 13th (Columbus Day/Indigenous People’s Day): All day access for families, Hometown Heroes, and educators (exhibition closes at 2:00 p.m.)
November 4 (Election Day): All day access for families, Hometown Heroes, and educators
November 11 (Veterans Day): All day access for families, Hometown Heroes, and educators
Official ID and email are required for police officers, firefighters, first responders, medical professionals, military personnel, educators, and librarians for free admission on special access days. Tickets for special access days are available with day-of on-site registration.
Merryl Tisch, Chairman of the Board of Trustees of the State University of New York, and former Chancellor of the New York State Board of Regents, said, “Anne Frank’s story is a timeless beacon for education that goes beyond history, teaching us the essential values of resilience, empathy, and standing against antisemitism and hatred. It is our responsibility as leaders and educators to ensure that students of all ages learn these lessons deeply, so that Anne’s legacy inspires a more inclusive and compassionate future.”
New York State Education Commissioner Betty A. Rosa said, “Anne Frank The Exhibition provides a profound educational experience that connects the lessons of history to the challenges and responsibilities of today. It provides students with a meaningful opportunity to explore the realities of antisemitism and intolerance while equipping educators with resources to thoughtfully integrate these lessons into their instruction. This exhibition not only honors the memory of Anne Frank and her family but also strengthens our shared responsibility to ensure that future generations learn the importance of empathy, tolerance, and standing against hate in all its forms.”
“It has been deeply meaningful to host this exhibition and share its vital history with the public. With this final extension, we look forward to welcoming even more visitors to engage with Anne Frank’s story and the lessons it continues to impart,” said Dr. Gavriel Rosenfeld, President of the Center for Jewish History.
With this final extension through February 1, 2026, the Anne Frank House reaffirms its mission to ensure Anne’s voice continues to inspire unity and peace across generations.
General Information
Tickets are available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. The last entry is one hour before closing.
Individual tickets
Timed entry tickets, Monday through Friday: $24 (17 and under, $18)
Timed entry tickets, Sunday: $31 (17 and under, $24)
Flex tickets, Monday through Friday: $38
Flex tickets, Sunday: $54
Family tickets (2 adults + 2 children under 17 years):
Timed entry tickets, Monday through Friday: $74 (additional 17 and under ticket, $18)
Timed entry tickets, Sunday: $98 (additional 17 and under ticket, $24)
Group sales (adults)
$300 per group of 10, timed entry, Monday through Friday
$400 per group of 10, timed entry, Sunday
Hours: Sunday through Thursday: 9:30 a.m. to 7:30 p.m.; Friday: 9:30 a.m. to 3:30 p.m. Saturday: Closed.
Center for Jewish History 15 West 16th Street, New York, 212.294.8301,cjh.org, info@cjh.org.
“Summer of Reflection: The Legacy of Anne Frank” citywide initiative expands with “Summer of Service” to thank those who educate, protect, and inspire New Yorkers
New York, N.Y. — This summer,Anne Frank The Exhibition is expanding its efforts to introduce as many New Yorkers as possible to Anne Frank’s legacy of hope and courage, offering enhanced access and free admission to thousands of public service champions, including teachers, first responders, active military, and librarians. The immersive and historically significant exhibition, presented by the Anne Frank House in Union Square at the Center for Jewish History, will launch the new initiative beginning Friday, July 11th through Friday, August 29th.
“We are honored to welcome public servants through enhanced access to the exhibition, inviting them to draw strength from Anne Frank’s enduring legacy of humanity and courage,” said Ronald Leopold, Executive Director of the Anne Frank House in Amsterdam, which organized the New York City exhibition. “Summer of Service not only recognizes the profound impact public servants have in safeguarding our freedoms, but also affirms their power to shape a more just world. By experiencing Anne Frank The Exhibition firsthand, they harness their collective empathy and resolve, becoming even stronger champions of human dignity and leading the way in the fight against hatred and intolerance.”
The new summer initiatives include:
Teacher Tuesdays:
From 9:30-11:30am, teachers will be granted free access for up to 2 adults and 4 children.
Valid school ID and email address is required for free entry.
First Responder and Active-Duty Wednesdays:
From 12:30-3:30pm, all first responders (including NYPD, FDNY, EMS, and PAPD) as well as active-duty service members, will be granted free access for up to 2 adults and up to 4 children.
Valid government-issued ID is required for free entry.
Public Librarian Weekday Evenings:
On Monday through Thursday, from 5:00-6:30pm, all NYC public librarians will be granted free access for up to 2 adults and up to 2 children.
Valid ID and NYC public library email address is required.
From 2:45-5:00pm, the exhibit is offering free entry to all visitors (last entry at 4:00pm).
The first 100 NYC library cardholders to arrive will receive expedited access on these Free Fridays. Free Friday afternoon access is offered on a first-come, first-served basis, and is limited to 250 visitors each Friday. Last entry is 4:00 pm, one hour before closing (5:00pm on Fridays). Teacher Tuesdays, First Responder and Active-Duty Wednesdays, and Public Librarian Weekday Evenings begin on July 11th and will last through August 29, 2025. Originally planned to close earlier this year, Anne Frank The Exhibition is now extended through October 31, 2025 to offer even more New Yorkers the opportunity to learn about Anne’s life and writings.
A tribute to public servants, Summer of Service extends Summer of Reflection: The Legacy of Anne Frank with a powerful message of gratitude to those who educate and protect New Yorkers. Summer of Service expandsexhibition access for New York City’s everyday heroes, such as teachers, first responders, and librarians.
Summer of Reflection: The Legacy of Anne Frank includes the distribution of 10,000 copies of Anne Frank: The Diary of a Young Girl across New York City and is made possible thanks to the generosity of Bank of America and UJA-Federation of New York, in collaboration with the New York City Public Schools Office of Library Services, New York City Public Schools Department of Social Studies & Civics, New York City Public Schools Summer Rising enrichment program, and the New York Public Library, Queens Public Library, and Brooklyn Public Library.
About Anne Frank The Exhibition:
Anne Frank The Exhibition is the first time in history that the Anne Frank House presents a pioneering experience outside of Amsterdam to immerse visitors in a full-scale recreation of the Annex rooms, fully furnished, where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.
Moving through the exhibition, visitors can immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt through the rise of the Nazi regime and the family’s phased move to Amsterdam across 1933 and 1934, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old.
Four exhibition galleries immerse visitors in place and history through video, sound, photography, and animation; and more than 100 original collection items from the Anne Frank House in Amsterdam. Anne Frank The Exhibition provides an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.
The New York City exhibition occupies over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts can be seen in the United States—many have never been seen in public.
Artifacts in the exhibition include:
Anne Frank’s first photo album (1929-1942);
Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
Handwritten verses by Anne Frank in her friends’ poetry albums.
Advising the Anne Frank House on the New York City exhibition is Michael S. Glickman, CEO of jMUSE. Dr. Doyle Stevick, Executive Director of The Anne Frank Center at the University of South Carolina, the Anne Frank House’s official U.S. partner, is the educational advisor.
Anne Frank The Exhibition is a limited engagement, now extended through October 31, 2025.
The exhibition is made possible by Leon Levy Foundation, with leadership support by David Berg Foundation, Rebecca and Jared Cohen, Stacey and Eric Mindich, The Koum Family Foundation, Merryl and James Tisch, UJA-Federation of New York, and corporate partner Bank of America. Educational patrons to the exhibition include Gray Foundation and The Fuhrman Family Foundation, with additional support by The Barbra Streisand Foundation.
Major support has been provided by Debbie and Mark Attanasio, Tanya and Ryan Baker, Einstein Astrof Foundation, Elyssa and William Friedland, Jesselson Foundation, Allison and Warren Kanders, Pershing Square Philanthropies, Sara Naison-Tarajano, The Krupp Foundation, Katharine M. and Leo S. Ullman, and Anonymous, with sponsorship support by GRoW @ Annenberg, Rita J. & Stanley H. Kaplan Family Foundation, Karyn Kornfeld & Steven Kobre, The Claire Friedlander Family Foundation, and Zegar Family Foundation. Pro bono legal services provided by Wachtell, Lipton, Rosen & Katz.
General Information
Following months of being sold out, additional tickets have been added for the months of June, July, and August to ensure visitors have easy access to the exhibition. Tickets available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. Last entry is one hour before closing.
Individual tickets
Timed entry tickets, Monday through Friday: $24 (17 and under, $18)
Timed entry tickets, Sunday: $31 (17 and under, $24)
Flex tickets, Monday through Friday: $38
Flex tickets, Sunday: $54
Family tickets (2 adults + 2 children under 17 years):
Timed entry tickets, Monday through Friday: $74 (additional 17 and under ticket, $18)
Timed entry tickets, Sunday: $98 (additional 17 and under ticket, $24)
Group sales (adults)
$300 per group of 10, timed entry, Monday through Friday
$400 per group of 10, timed entry, Sunday
Hours: Sunday through Thursday: 9:30 a.m. to 7:30 p.m.; Friday: 9:30 a.m. to 3:30 p.m.; Saturday: Closed
Center for Jewish History, 15 West 16th Street, New York, N.Y. between 5th and 6th Avenues
In July 1942, Anne Frank (13), her parents, Otto and Edith Frank, and her sister, Margot Frank (16), went into hiding in the annex at the back of her father’s company. The Van Pels family (Hermann, Auguste, and their 15-year-old son, Peter) followed the next week. Four months later, they were joined by Fritz Pfeffer. All of them were Jews daring to escape certain death at the hands of the Nazis amid the German occupation of the Netherlands during World War II. Unable to go to school, largely cut off from the rest of the world, and trapped in close quarters with others while a war raged outside, Anne poured herself into her diary. The people in hiding in the Annex were discovered in 1944, and Anne and the others were arrested and sent to the Auschwitz-Birkenau concentration and extermination camp. Anne and her sister Margot were then sent to the Bergen-Belsen concentration camp, where they both died of typhus in February 1945. Anne was 15. Margot was 18 or 19. Otto Frank was the only person from the Annex to survive the Holocaust.
Anne Frank: The Diary of a Young Girl, more commonly known as The Diary of Anne Frank, is one of the most translated books in the world. Transformed multiple times for stage and screen, the published book’s source is the personal diary that Anne Frank kept in multiple notebooks during the two-year period of hiding with her family in rooms located in the back house of her father’s company in Amsterdam. Soon after Anne and the others were arrested in 1944, Miep Gies, one of the people who risked their lives to help them in hiding, returned to the Annex and found their belongings ransacked. Miep was relieved to find Anne’s diary pages, knowing how important her writings were to her, and saved them for her return. Otto was the only person from the Annex to survive the Holocaust. When Miep first gave him his daughter’s diary, he could not bring himself to read it. Soon, he did and he could not stop, sharing it with relatives and friends who encouraged him to publish what they considered “an important human document.” Upon its publication, Otto Frank wrote: “How proud Anne would have been if she had lived to see this. After all, on 29 March 1944, she wrote: ‘Imagine how interesting it would be if I published a novel about Secret Annex.'”
The Anne Frank House was established in 1957 in cooperation with Otto Frank, Anne Frank’s father, as an independent nonprofit organization entrusted with the preservation of the Annex where Anne Frank and her family went into hiding in 1942 during the Second World War. The Annex is where Anne wrote her diary, and where she and her family hid from the Nazis during the occupation of the Netherlands until being discovered and arrested by police officers in 1944. Following her transport to the Auschwitz-Birkenau concentration and extermination camp, Anne and her sister Margot were sent to the Bergen-Belsen concentration camp, where they died in 1945. For nearly seven decades, the Anne Frank House has served as a place of memory and a place of learning. Committed to bringing Anne’s life story to world audiences, the Anne Frank House has emerged as a primary resource for teaching and learning about the Holocaust. Through Anne’s legacy the Anne Frank House empowers people of all ages—and especially young people—to reflect on the dangers of antisemitism, racism, and discrimination and the importance of freedom, equal rights, and democracy.
The Center for Jewish History illuminates the Jewish past for audiences today and preserves it for the future. Home to the world’s largest Jewish archive outside Israel, it is a dynamic space for learning and public engagement. Opened in 2000, the Center is the collaborative home of five partner organizations (the American Jewish Historical Society, American Sephardi Federation, Leo Baeck Institute, Yeshiva University Museum, and YIVO Institute for Jewish Research) whose collections comprise over 7 miles of archival documents, 500,000 volumes of books, 12 million digital items, and thousands of artworks, objects, textiles, and recordings. The Center opens these vast archives to the public and activates the stories that they hold through exhibits, fellowships, genealogy programs, and an active calendar of events – making it a hub for Jewish culture and heritage. To learn more about the Center and its public programs, visit: cjh.org.
“Summer of Reflection: The Legacy of Anne Frank” citywide initiative includes partnerships with NYC Public Schools and all three New York City public library systems
Book giveaway made possible by Bank of America and UJA-Federation of New York
Anne Frank: The Diary of a Young Girl is one of the most translated books in the world
After selling out its limited run within one week of opening, Anne Frank The Exhibition is now on extended view in NYC at the Center for Jewish History through October 2025; Organizers also announce newly added tickets and extended hours on select Fridays throughout the summer, on a first-come, first-served basis
New York, N.Y.—In a heartfelt tribute to the life and legacy of Anne Frank, Anne Frank The Exhibition – presented by the Anne Frank House at the Center for Jewish History in Union Square – announces a special initiative, Summer of Reflection: The Legacy of Anne Frank, to commemorate what would have been her 96th birthday.
Starting June 12th and continuing through the summer, the Anne Frank House—with support from Bank of America and UJA-Federation of New York—will distribute 10,000 free copies of Anne Frank: The Diary of a Young Girl and issue batches of free tickets for students and others to see the exhibition. The books will reach young readers throughout New York City and help keep Anne’s story accessible for future generations.
New York City Public Schools, Union Square Partnership, and the New York Public Library, Queens Public Library, and Brooklyn Public Library are partnering with the initiative and will distribute the books starting on Thursday and through the summer. Select books will also join the permanent collections of schools and libraries, ensuring lasting access. These offerings are a way to thank New Yorkers for their embrace of Anne’s story, which has had a lasting impact on history, education, and awareness of the need to fight antisemitism.
Beginning this Thursday, June 12th, on what would have been Anne Frank’s 96th birthday, educators and exhibition staff from Anne Frank The Exhibition will be at various locations from 12:00 p.m. to 2:00 p.m., to hand out free copies of the diary to students and families.
On Friday, June 13th, Anne Frank The Exhibition will open its doors for free admission starting at 2:45 p.m. through 5:00 p.m. Organizers also today announced they will extend free exhibition access – for up to 250 people – for public library card holders in partnership with the three systems on select Friday afternoons in July and August, starting on July 11th.
Visitors who wish to gain free access beginning at 2:45 pm on June 13th and on select Fridays in July and August will be welcomed on a first-come, first-served basis for an opportunity to experience the powerful and immersive exhibition without cost.
“Anne Frank’s diary is not just a historical document; it is a beacon of hope and a call to action,” said Ronald Leopold, Executive Director of the Anne Frank House in Amsterdam, which organized the New York City exhibition. “Her words inspire us to confront injustice and to promote tolerance and human dignity. By distributing thousands of copies of her diary and expanding access to the exhibition, we are reaffirming our commitment to education and remembrance. It is vital that Anne’s message reaches as many people as possible, especially in today’s world where antisemitism and group hatred is on the rise and the lessons of history must never be forgotten. It is what her father, Otto Frank, sought to achieve in his dedicated and courageous pursuit of the Diary’s publication.”
The distribution of the 10,000 books is made possible thanks to the generosity of Bank of America and UJA-Federation of New York, in collaboration with the New York City Public Schools Office of Library Services, New York City Public Schools Department of Social Studies & Civics, and New York City Public Schools Summer Rising enrichment program.
“To help preserve and broaden access to Anne’s story, we were thrilled to expand our sponsorship of Anne Frank The Exhibition through this book distribution,” said José Tavarez, president, Bank of America New York City. “This additional access will help to widen efforts, engaging a younger generation to learn about Anne’s life and writings, her experiences and resiliency.”
“Anne Frank’s diary gives voice to the hopes and fears of a young girl facing unimaginable hatred — and that voice still speaks powerfully to young people today. By helping to put this book directly into the hands of New York City students, we’re giving them the opportunity to connect personally with Anne’s story, reflect on the consequences of hatred, and understand the possibility of resilience and the human spirit. Particularly now, at a time of sharply rising hatred targeting the Jewish community, our hope is that young readers will be inspired to stand up to hate, to find courage in the face of adversity, and to believe in the power of their own voices,” said Eric S. Goldstein, CEO, UJA-Federation of New York.
“Across New York City’s library systems, our mission is to provide access to knowledge for all. We are grateful for the opportunity to distribute Anne Frank: The Diary of a Young Girl at public libraries throughout the city, thanks to our partnership with the Anne Frank House and their generous donation. By sharing with thousands of New Yorkers the story of Anne Frank and the history she captured in her own voice—which is as vital today as when it was originally published—we hope to inspire young readers to deepen their understanding and experience both the joy and importance of reading,”saidBPL President and CEO Linda E. Johnson, NYPL President and CEO Anthony W. Marx, and QPL President and CEO Dennis M. Walcott.
“In the face of rising antisemitism around the country and world, it is critical that we take steps across our city to combat hate and intolerance,” said New York City Public Schools Chancellor Melissa Aviles-Ramos. “Anne Frank’s story is one of hope, humanity, and courage, and it belongs in our classrooms and in our communities as a key part of this work. I am confident that the distribution of 10,000 copies of her diary will leave a lasting impact on our young people, just as it did on my own students when I was a high school English teacher.”
“Union Square welcomes a dynamic array of public experiences rooted in connection, engagement and education, including the Summer of Reflection: The Legacy of Anne Frank,” said Julie Stein, Executive Director of Union Square Partnership. “This summer, students, families, and visitors are invited to explore this special initiative. And, thanks to the generosity of Bank of America and UJA-Federation of New York, thousands of readers will take home a piece of history through the Anne Frank House’s book giveaway.”
“The Diary of Anne Frank is not just relevant—it is essential for young New Yorkers today. Anne’s story is a powerful mirror reflecting the dangers of antisemitism and hatred that persist in our world. Her words compel us to confront bigotry with humanity and to replace silence with courage. As we mark what would have been her 96th birthday, the Center for Jewish History invites everyone to engage deeply with her legacy through Anne Frank The Exhibition—and join us in mobilizing Jewish history to confront and overcome the forces of hate threatening our communities today,” said Dr. Gavriel Rosenfeld, President of the Center for Jewish History.
Anne Frank The Exhibition is the first time in history that the Anne Frank House presents a pioneering experience outside of Amsterdam to immerse visitors in a full-scale recreation of the Annex rooms, fully furnished, where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.
Moving through the exhibition, visitors can immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt through the rise of the Nazi regime and the family’s phased move to Amsterdam across 1933 and 1934, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old.
Four exhibition galleries immerse visitors in place and history through video, sound, photography, and animation; and more than 100 original collection items from the Anne Frank House in Amsterdam. Anne Frank The Exhibition provides an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.
The New York City exhibition occupies over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts can be seen in the United States—many have never been seen in public.
Artifacts in the exhibition include:
● Anne Frank’s first photo album (1929-1942);
● Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
● Handwritten verses by Anne Frank in her friends’ poetry albums.
Advising the Anne Frank House on the New York City exhibition is Michael S. Glickman, CEO of jMUSE. Dr. Doyle Stevick, Executive Director of The Anne Frank Center at the University of South Carolina, the Anne Frank House’s official U.S. partner, is the educational advisor.
The exhibition is made possible through the generosity of many philanthropic foundations and individuals, whose partnership has ensured the exhibition is available to students and educators throughout the United States, as well as throughout the local New York City metro region.
Anne Frank The Exhibition is a limited engagement, now extended through October 31, 2025.
Anne Frank House gratefully acknowledges the following benefactors who have contributed to the exhibition: The exhibition is made possible by Leon Levy Foundation, with leadership support by David Berg Foundation, Rebecca and Jared Cohen, Stacey and Eric Mindich, The Koum Family Foundation, Merryl and James Tisch, UJA-Federation of New York, and corporate partner Bank of America. Educational patrons to the exhibition include Gray Foundation and The Fuhrman Family Foundation, with additional support by The Barbra Streisand Foundation.
Major support has been provided by Debbie and Mark Attanasio, Tanya and Ryan Baker, Einstein Astrof Foundation, Elyssa and William Friedland, Jesselson Foundation, Allison and Warren Kanders, Pershing Square Philanthropies, Sara Naison-Tarajano, The Krupp Foundation, Katharine M. and Leo S. Ullman, and Anonymous, with sponsorship support by GRoW @ Annenberg, Rita J. & Stanley H. Kaplan Family Foundation, Karyn Kornfeld & Steven Kobre, The Claire Friedlander Family Foundation, and Zegar Family Foundation. Pro bono legal services provided by Wachtell, Lipton, Rosen & Katz.
General Information
Following months of being sold out, additional tickets have been added for the months of June, July, and August to ensure visitors have easy access to the exhibition. Tickets available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. Last entry is one hour before closing.
Center for Jewish History, 15 West 16th Street, New York, N.Y. between 5th and 6th Avenues
To learn more about the Center and its public programs, visit: cjh.org.
Along with a suite of exhibitions, The Historical partners with history museums from across the nation to invite Americans to share their birthdays wishes “On Our 250th”
New York—As the nation prepares for the 250th anniversary of its founding, The New York Historical has announced a broad suite of exhibitions and programs, and a digital campaign joined by a nation-wide coalition of history museums, named “On Our 250th.” The initiative has just begun with the launch of onour250th.org, where individuals can share a birthday wish for their nation and its democracy turning 250. The exhibitions will begin in fall 2025, with a major exhibition of Revolutionary-era documents from the David M. Rubenstein Americana Collection, and then include shows on immigration photography, contemporary artists’ reflections on the anniversary, and exhibitions on Revolutionary Women and on how New York celebrated the nation’s bicentennial. Plus, in early summer 2026, The Historical will have the grand opening of its new Tang Wing for American Democracy.
“On Our 250th” “On Our 250th” is a partnership organized by The New York Historical and Made by US of history museums across the nation to invite individuals to share a public message of their hopes for our nation and its democracy on the occasion of its anniversary. On both a microsite—onour250th.org—and on-site at museums across the nation, this campaign will collect five to 50 word greetings from Americans of all ages. The campaign already has 23 participating history museums across 15 states, including Wyoming, Georgia, Virginia, and Illinois, plus the Smithonian’s National Museum of American History. The website was created by Use All Five, a digital design agency.
“We have planned these exhibitions and programs in the hope of bringing our fellow citizens new insights into who we are and have been as Americans,” said Dr. Louise Mirrer, president and CEO, The New York Historical. “As an institution established by veterans of the American Revolutionary War, with the objective of ensuring that future generations would know of, and value the nation’s great struggle for freedom and equality, we are firm in our belief that, by understanding the past and appreciating the people on whose shoulders we stand, our democracy will thrive.”
The New York Historical launched the microsite today with 250 greetings from students, including this potent note from Andrea, a middle school student in New Jersey: “Happy Birthday, USA! My wish for you is to once again be a united country meant to protect and serve all. To return to a land of opportunity and diversity for all who seek it.” Participating institutions include: Atlanta History Center, Chicago History Museum, Democracy Center at the Japanese American National Museum, Harriet Beecher Stowe House, The Heurich House Museum, Idaho State Museum, Jamestown-Yorktown Foundation, Levine Museum of the New South, Lincoln Presidential Foundation, National Liberty Museum, National World War I Museum and Memorial, The New York Historical, Revolutionary Spaces, Robert H. Jackson Center, Ruth Mott Foundation/Applewood, Senator John Heinz History Center, Smithsonian’s National Museum of American History, Theodore Roosevelt Presidential Library, Thomas Jefferson’s Monticello, Vermont Historical Society, Virginia Museum of History & Culture, Woodrow Wilson Presidential Library and Wyoming State Museum.
Exhibitions The exhibitions related to the 250th anniversary will take place over a 15-month period, from October 2025 to December 2026, in both The Historical’s main building and, starting summer 2026, its new Tang Wing for American Democracy. The exhibitions include:
Declaring the Revolution: America’s Printed Path to Independence Fall 2025 Visitors have the unique opportunity to see a selection of landmark documents from the David M. Rubenstein Americana Collection showcasing America’s founding era on display together.
Arriving in America: Portraits of Immigrants from The New York Historical Collections Fall 2025 This exhibition mines the vast photography collections of the Patricia D. Klingenstein Library as a lens to view the immigrant experience in New York through the faces and places photographers have captured over time.
Revolutionary Women February 2026 Showcasing the little known and unknown achievements of women in the years leading up to, during, and following the Revolutionary War, this exhibition brings new insights into the nation’s founding.
Old Masters and New Amsterdam Spring 2026 Who were the people of the Dutch Golden Age who founded the colony that would become New York? What drove them to set sail and colonize? A dazzling array of more than 60 Dutch Old Master paintings, featuring works by Rembrandt van Rijn, Frans Hals, Jan Lievens, and Jan Steen, provides viewers with clues into the Dutch society that spawned New York.
Democracy Matters Summer 2026 Why does democracy matter? What does it look like in action? Whom does it represent? Objects from The New York Historical’s Museum and Library collections join works by contemporary New York City-based artists. Together, they explore the original promise of and continuing progress toward the American Revolutionary ideals of liberty and equality.
“You Should be Dancing”: New York, 1976 Fall 2026 In 1976, New York City was in crisis. Its youth rescued and reinvigorated it. You Should Be Dancing transports the visitor to a year of contradictions for New York City. The metropolis was the main stage for America’s 200th birthday celebration, with days of parades, festivals, and performances. But it also faced near-bankruptcy, spiking crime, and a housing and drug crisis. Out of this moment emerged musical genres driven by the city’s youth—including disco, punk and hip hop—which forever changed music history.This exhibition surrounds the visitor with music, fashion, instruments, photographs, and original documents to learn about the glitz and grit of this transformative year in New York City’s history.
The Tang Wing for American Democracy
The Tang Wing for American Democracy, dedicated to exhibitions and programming on democracy, opens in time for the nation’s 250th anniversary. The Tang Wing for American Democracy will house the Academy for American Democracy, the Dorothy Tapper Goldman Center for Teaching Democracy, new gallery spaces and classrooms, a conservation studio, and the first home of the American LGBTQ+ Museum (opening at a later date). The new wing will also be the home of The New York Historical’s MA in Museum Studies program, a trailblazing initiative founded in 2019 with the CUNY School of Professional Studies, and a renovated library stack storage tower for the Patricia D. Klingenstein Library, which holds more than 10 million items, including rare copies of our nation’s foundational documents.
New York’s first museum, The New York Historical (formerly known as the New-York Historical Society) is a leading cultural institution covering over 400 years of American history. The New York Historical is a museum of museums and a collection of collections. It is home to the Patricia D. Klingenstein Library, the Center for Women’s History, the DiMenna Children’s History Museum, and the future American LGBTQ+ Museum.
The New York Historical, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.
Opening June 13, The New York Historical highlights the intersection of politics, art, and culture that shaped America’s Red Scare in Blacklisted: An American Story, on view June 13-October 19, 2025 (credit: Civil Rights Congress, America’s “Thought Police”: Record of the Un-American Activities Committee, 1947. Courtesy of the Unger Family)
New York – Opening June 13, The New York Historical highlights the intersection of politics, art, and culture that shaped America’s Red Scare in Blacklisted: An American Story, a traveling exhibit created by the Jewish Museum Milwaukee. Expanded by The Historical, the exhibition builds on the story of the Red Scare and the blacklisting of screenwriters and directors known as the Hollywood Ten, and the countless others who were impacted. Blacklisted captures the tensions of the domestic Cold War, revealing how global politics infiltrated America’s entertainment industry in the late 1940s and 50s through a government crackdown on artistic expression. The exhibit is on view through October 19, 2025.
“Our aim with Blacklisted is to prompt visitors to think deeply about democracy and their role in it,” said Dr. Louise Mirrer, president and CEO of The New York Historical (formerly known as the New-York Historical Society). “The exhibition tackles fundamental issues like freedom of speech, religion, and association, inviting reflection on how our past informs today’s cultural and political climate.”
The Hollywood Blacklist emerged as a key manifestation of the Red Scare in the postwar United States. With the rise of global Communism during the Cold War, anxiety over the emergent power and influence of the Soviet Union fanned fears domestically. Numerous industries purged employees suspected of being sympathetic to Communism. Hundreds of people lost their jobs, and thousands stood by silently, afraid of jeopardizing future employment.
The exhibition opens with a look at the first Red Scare, which came on the heels of the First World War. Wartime heralded a crackdown on both immigrants and political dissidents, particularly critics of war. Hundreds of immigrant activists were deported, including Emma Goldman. A pamphlet she co-wrote in 1919, Deportation: Its Meanings and Menace; Last Message to the American People, is on display.
Social conditions of the 1930s and 1940s drove many artists and writers to embrace radical politics through groups like the Communist Party USA (CPUSA). During this period, the CPUSA was the only interracial political party and the only party with a platform supporting racial equality and self-determination for Black communities. A 1932 lithograph on view—“Equal Rights for Negroes Everywhere! Vote Communist”—depicts the interracial presidential ticket of William Z. Foster and James W. Ford, the first African American to run for vice president in the 20th century. While this interwar period is considered the “heyday of American Communism,” CPUSA’s official membership never exceeded 100,000. The Red Scare would decimate the CPUSA and shatter many progressive coalitions accused of having Communist ties.
In 1947, the House Un-American Activities Committee (HUAC) called Hollywood figures to testify about allegations of communist propaganda in American films. Although the committee never found any evidence, it held ten of the writers and directors in contempt of Congress and fined and sentenced them to prison. Hollywood responded by creating a self-imposed Blacklist of those implicated in the proceedings. Red-baiting, a move to discredit someone by labeling them as a Communist or Communist sympathizer, became widespread across government, industry, and the media throughout the 1950s.
Objects on view include Blacklisted screenwriter Dalton Trumbo’s Academy Awards for Roman Holiday— originally awarded only to co-writer Ian McLellan Hunter since Trumbo was prohibited from working in film under his own name—and The Brave One, awarded to the fictitious Robert Rich. (Hunter was later Blacklisted.) Also on display are typewriter ribbon tins with personal items Trumbo collected and kept while he was incarcerated and letters written to him by his young daughter during that time.
The ways in which Broadway and New York’s theatre community responded during this era is also explored with a selection of programs, photographs, and other ephemera. On view is an original souvenir book for the 1943 production of Othello, starring Paul Robeson, an active Communist and the first Black actor cast in the role in a major US Shakespearean production, who was later investigated for his political expressions. Originally staged in 1934, The Children’s Hour was revived in 1952 at the height of the Red Scare and directed by its playwright Lillian Hellman, who had been blacklisted in Hollywood. A vintage photograph of Hellman, taken by Editta Sherman, is among the many theatre-related objects on view.
Blacklisted features more than 150 artifacts, including historical newspaper articles, film clips, testimony footage, telegrams, playbills, court documents, film costumes, movie posters, scripts, artwork, and Academy Award statuettes. Additional highlights include:
A “100 Things You Should Know About Communism in the USA” pamphlet from the Committee on Un-American Activities (1949), which was handed out at the House Committee on Un-American Activities (HUAC) hearings;
Lauren Bacall’s costume from How to Marry a Millionaire, a 1953 film released during the height of the Blacklist. Bacall was one of the founding members of the Committee for the First Amendment, which initially supported the Hollywood Ten. Unlike other committee members, her employment opportunities did not diminish, and she worked steadily until her death;
From Life magazine in 1953 “Satan Came to Salem: Arthur Miller Play Exposes Horror and Hysteria of Witch Hunt”, an article discussing the relevance of The Crucible and interpreting the play’s setting during the Salem Witch Trials and its focus on the devastating role of rumor and accusation as a searing commentary on HUAC and the widespread panic during the Red Scare;
A 1949 Carnegie Hall program “Hazel Scott: In her Piano Program of Bach to Boogie-Woogie,” from jazz pianist and singer Hazel Scott, who made a name for herself at Café Society, the first integrated nightclub in New York City. The first Black woman to have her own television show, her name was listed in Red Channels, a Red-baiting publication, which led to the cancellation of her show one week later after a single episode had aired; and
A record cover of The World of Sholom Aleichem, (1953), a significant creative and cultural achievement during the Red Scare, which drew on the works of Yiddish humorist Sholom Aleichem, with a cast and crew almost entirely composed of Blacklisted artists, including Jack Gilford, Sarah Cunningham, Ossie Davis, director Howard da Silva, and writer Arnold Perl.
Blacklisted: An American Story is a traveling exhibit created by the Jewish Museum Milwaukee and coordinated for The New York Historical by Anne Lessy, assistant curator of history exhibitions and academic engagement, with contributions from Emily Pazar, assistant curator of decorative arts and material culture.
Programming On Wednesday, June 18, celebrated biographer Kai Bird joins David M. Rubenstein in discussion on Roy Cohn’s upbringing in mid-century New York, the rise of his political and legal career which was informed by Red Scare tactics, and his ties to the era of McCarthyism. In October, families can take part in our Reading into History program themed to the exhibition, offering a selection of reading suggestions and historical activities. Visit the DiMenna Children’s History Museum calendar for more details. Private group tours can be arranged throughout the exhibition.
Support Lead support for Blacklisted: An American Story is provided by the Ford Foundation and Sy and Laurie Sternberg. Major support is provided by the David Berg Foundation and the Blanche and Irving Laurie Foundation. Additional support is provided by Kate Kelly and George Schweitzer, Patricia Askwith Kenner, and Ambassador John L. Loeb, Jr.
Exhibitions at The New York Historical are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, the Evelyn & Seymour Neuman Fund, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. WNET is the media sponsor.
New York’s first museum, The New York Historical is a leading cultural institution covering over 400 years of American history. The New York Historical is a museum of museums and a collection of collections. It is home to the Patricia D. Klingenstein Library, the Center for Women’s History, the DiMenna Children’s History Museum, and the future American LGBTQ+ Museum. Connect with us at nyhistory.org or at @nyhistory on Facebook, Twitter, Instagram, TikTok, YouTube, and Tumblr.
The New York Historical, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.
(New York and Amsterdam)—No surprise that in response to overwhelming demand, the Anne Frank House is extending its world premiere presentation of Anne Frank The Exhibition at the Center for Jewish History in New York City through October 31, 2025. Originally scheduled for just three months, tickets sold out within one week of opening on January 27, 2025, demonstrating the demand for this extraordinary experience.
“We are deeply moved by the overwhelming interest in this exhibition,” Ronald Leopold, Executive Director of the Anne Frank House, said. “As we carry forward Anne’s legacy, we are profoundly grateful for the opportunity to extend this new presentation in New York. The initial response affirms our belief that we must meet the present moment with education. History is our greatest teacher, and Anne’s words continue to resonate across generations. In bringing this exhibition to New York and extending its stay, the Anne Frank House, with the support of the Center for Jewish History, is making it possible for more people to reflect on the life and loss of Anne, and the 1.5 million Jewish children lost in the Holocaust. Together, we remain committed to stand against antisemitism and group hatred and we thank New York for joining us in this important effort.”
Dr. Gavriel Rosenfeld, President of the Center for Jewish History, said: “It has been our honor to partner with the Anne Frank House as host to this landmark exhibition, and we are excited to continue welcoming audiences from around the world for its extended run.”
As a nonprofit organization helping to shape global understanding of the Holocaust and its contemporary relevance, including lessons on modern-day antisemitism, racism, and discrimination, the Anne Frank House is entrusted with the preservation of the Annex where Anne Frank and her family hid during World War II. This new exhibition is presented in New York City in partnership with the Center for Jewish History in Manhattan and is designed for audiences who may not have the opportunity to visit the Netherlands.
Step inside Anne Frank’s world—an unprecedented experience
Anne Frank The Exhibition is the first time in history that the Anne Frank House presents a pioneering experience outside of Amsterdam to immerse visitors in a full-scale recreation of the Annex rooms, fully furnished, where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.
Moving through the exhibition, visitors can immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt through the rise of the Nazi regime and the family’s phased move to Amsterdam across 1933 and 1934, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old.
Four exhibition galleries immerse visitors in place and history through video, sound, photography, and animation; and more than 100 original collection items from the Anne Frank House in Amsterdam. Anne Frank The Exhibition provides an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.
The New York City exhibition occupies over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts can be seen in the United States—many have never been seen in public.
Artifacts in the exhibition include:
Anne Frank’s first photo album (1929-1942);
Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
Handwritten verses by Anne Frank in her friends’ poetry albums.
Advising the Anne Frank House on the New York City exhibition is Michael S. Glickman, CEO of jMUSE. Dr. Doyle Stevick, Executive Director of The Anne Frank Center at the University of South Carolina, the Anne Frank House’s official U.S. partner, is the educational advisor.
The exhibition is made possible through the generosity of many philanthropic foundations and individuals, whose partnership has ensured the exhibition is available to students and educators throughout the United States, as well as throughout the local New York City metro region.
With this new exhibition, the Anne Frank House seeks to expand its reach and educational impact at a time of rising antisemitism in the United States. It is presented in New York City, where Jews continue to be the most targeted group and where hate crimes against others are on the rise.
In supporting students through field trips, the exhibition serves as a primary source for students and educators and, since its opening was first announced, has been booking hundreds of visits for school groups from New York to California and states in between. With a goal of reaching 250,000 students, philanthropic support has made it possible for the Anne Frank House to ensure tickets are free for NYC public schools and Title I public school groups throughout the United States.
To enhance resources for teachers, the exhibition includes an accompanying curriculum developed with The Anne Frank Center at the University of South Carolina. The curriculum materials place antisemitism in its historic context. Questions lead students to consider the roots and evolution of antisemitism, including how it led to the Holocaust.
“Anne Frank’s story provides a compelling window into the past, one that helps students understand the dangers of bigotry and the importance of never being a bystander,” Doyle Stevick, Executive Director of the Anne Frank Center at the University of South Carolina and educational advisor to the exhibition, said. “The curriculum developed to accompany this exhibition ensures teachers and students will have the highest-quality educational resources they need to learn about the Holocaust and its relevance today. We are thrilled to see that hundreds of school groups from around the country have already booked field trips.”
Educational visits to the exhibition, as well as Individual and Family ticket purchases, can be scheduled by visiting AnneFrankExhibit.org.
Anne Frank The Exhibition is a limited engagement, now extended through October 31, 2025.
Anne Frank House gratefully acknowledges the following benefactors who have contributed to the exhibition:
The exhibition is made possible by Leon Levy Foundation, with leadership support by David Berg Foundation, Rebecca and Jared Cohen, Stacey and Eric Mindich, UJA-Federation of New York, and corporate partner Bank of America.
Educational patrons to the exhibition include Gray Foundation and The Fuhrman Family Foundation, with additional support by The Barbra Streisand Foundation.
Major support has been provided by Debbie and Mark Attanasio, Tanya and Ryan Baker, Einstein Astrof Foundation, Elyssa and William Friedland, Jesselson Foundation, Allison and Warren Kanders, Pershing Square Philanthropies, Sara Naison-Tarajano, Katharine M. and Leo S. Ullman, Waksal Foundation, and Anonymous, with sponsorship support by GRoW @ Annenberg, Rita J. & Stanley H. Kaplan Family Foundation, Merryl and James Tisch, The Claire Friedlander Family Foundation, and Zegar Family Foundation.
Pro bono legal services provided by Wachtell, Lipton, Rosen & Katz.
General Information
Tickets available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. Last entry is one hour before closing.
Individual tickets: Timed entry tickets, Monday through Friday: $24 (17 and under, $18); Timed entry tickets, Sunday: $31 (17 and under, $24); Flex tickets, Monday through Friday: $38; Flex tickets, Sunday: $54
Family tickets (2 adults + 2 children under 17 years): Timed entry tickets, Monday through Friday: $74 (additional 17 and under ticket, $18); Timed entry tickets, Sunday: $98 (additional 17 and under ticket, $24)
Group sales (adults): $300 per group of 10, timed entry, Monday through Friday; $400 per group of 10, timed entry, Sunday
Hours: Sunday through Thursday: 9:30 a.m. to 7:30 p.m. Friday: 9:30 a.m. to 3:30 p.m. Saturday: Closed
Center for Jewish History, 15 West 16th Street, New York, N.Y. between 5th and 6th Avenues
New York and Amsterdam—The Anne Frank House, one of the most visited historical sites in Europe, just announced the upcoming opening of Anne Frank The Exhibition in New York City. For the first time in history, the Anne Frank House will present a pioneering experience outside of Amsterdam to immerse visitors in a full-scale re-creation of the rooms where Anne Frank, her parents and sister, and four other Jews spent two years hiding to evade Nazi capture.
As a nonprofit organization helping to shape global understanding of the Holocaust and its contemporary relevance, including lessons on modern day antisemitism, racism, and discrimination, the Anne Frank House is entrusted with the preservation of the Annex where Anne Frank and her family hid during World War II. This exhibition, presented in New York City in partnership with the Center for Jewish History in Manhattan, opens on International Holocaust Remembrance Day, January 27, 2025, to mark the 80th commemoration of the liberation of Auschwitz.
Anne Frank The Exhibition is a first-of-its-kind, full-scale recreation of the complete Annex, furnished as it would have been when Anne and her family were forced into hiding. Moving through the exhibition, visitors will be able to immerse themselves in the context that shaped Anne’s life—from her early years in Frankfurt, Germany through the rise of the Nazi regime and the family’s 1934 move to Amsterdam, the Netherlands, where Anne lived for ten years until her 1944 arrest and deportation to Westerbork, a large transit camp in the Netherlands, then to Auschwitz-Birkenau, a concentration camp and killing center in Nazi-occupied Poland, and eventually to her death at Bergen-Belsen concentration camp in Germany when she was 15 years old.
Designed for audiences who may not have the opportunity to visit the Netherlands, the new exhibition in New York City is anticipated to draw extraordinary attendance for what will be among the most important presentations of Jewish historical content on view in the United States. Through the recreated Annex; exhibition galleries immersing visitors in place and history through video, sound, photography, and animation; and more than 100 original collection items from the Anne Frank House in Amsterdam, Anne Frank The Exhibition will provide an opportunity to learn about Anne Frank not as a victim but through the multifaceted lens of her life—as a girl, a writer, and a symbol of resilience and strength. This is a story inspired by one of the most translated books in the world.
The New York City exhibition will occupy over 7,500 square feet of gallery space in the heart of Union Square. This marks the first time dozens of artifacts will be seen in the United States—many have never been seen in public.
Artifacts in the exhibition include:
Anne Frank’s first photo album (1929-1942);
Anne Frank’s typed and handwritten invitation to her friend for a film screening in her home (by 1942, anti-Jewish measures prohibited Jews from attending the cinema); and
Handwritten verses by Anne Frank in her friends’ poetry albums.
“Anne Frank’s words resonate and inspire today, a voice we carry to all corners of the world, nearly eight decades later,” said Ronald Leopold, Executive Director of the Anne Frank House. “As a custodian of Anne’s legacy, we have an obligation to help world audiences understand the historical roots and evolution of antisemitism, including how it fueled Nazi ideology that led to the Holocaust. Anne’s legacy is remarkable, as represented in the diary she left us, and as one of the 1.5 million Jewish children who were murdered at the hands of Nazi officials and their collaborators. Through this exhibition, the Anne Frank House offers insights into how this could have happened and what it means for us today. The exhibition provides perspectives, geared toward younger generations, that are certain to deepen our collective understanding of Anne Frank and hopefully provide a better understanding of ourselves. By bringing this exhibition to New York—a place with many ties to Anne’s story— the Anne Frank House is expanding the reach of our work to encourage more people to remember Anne Frank, reflect on her life story, and respond by standing against antisemitism and hatred in their own communities.”
Dr. Gavriel Rosenfeld, President of the Center for Jewish History, said: “We are absolutely thrilled to partner with the Anne Frank House on this landmark exhibition. As we approach the 80th anniversary of the liberation of Auschwitz in January, Anne Frank’s story becomes more urgent than ever. In a time of rising antisemitism, her diary serves as both a warning and a call to action, reminding us of the devastating impact of hatred. This exhibition challenges us to confront these dangers head-on and honor the memory of those lost in the Holocaust.”
The Anne Frank House in Amsterdam was established in 1957 in cooperation with Otto Frank, Anne Frank’s father, as an independent nonprofit organization entrusted with the preservation of the Annex where Anne Frank and her family went into hiding in 1942 during the Second World War. The Annex is where Anne wrote her diary, and where she and her family hid from the Nazis during the occupation of the Netherlands until being discovered and arrested by police officers in 1944. Following her transport to the Auschwitz-Birkenau concentration and extermination camp, Anne and her sister Margot were sent to the Bergen-Belsen concentration camp, where they died in 1945. For nearly seven decades, the Anne Frank House has served as a place of memory and a place of learning. Committed to bringing Anne’s life story to world audiences, the Anne Frank House has emerged as a primary resource for teaching and learning about the Holocaust. Through Anne’s legacy the Anne Frank House empowers people of all ages—and especially young people—to reflect on the dangers of antisemitism, racism, and discrimination and the importance of freedom, equal rights, and democracy.
Anne Frank The Exhibition is a limited engagement, scheduled to close on April 30, 2025. Public programming and educational initiatives tied to the exhibition will be announced when the exhibition opens to the public.
Timed entry tickets are available at AnneFrankExhibit.org. The exhibition is designed for children (ages 10 and older) and adults. All general admission tickets include the exhibition audio guide. Visitors should plan to spend approximately one hour at the exhibition. Last entry is one hour before closing.
Center for Jewish History, 15 West 16th Street, New York, N.Y. between 5th and 6th Avenues
For the first time in more than 20 years, the New-York Historical Society displays the “Declaration of Dependence,” a petition signed in 1776 by New Yorkers loyal to the British crown. The petition will be on view for a limited time, alongside a rare original printing of the Declaration of Independence, also from New-York Historical’s collection.
In an installation entitled Our History of Discord, together these documents reveal the contentious history behind our nation’s founding.
Also, on the Fourth of July, kids under 17 can visit the Museum for free and meet historical interpreters recreating life in New York City in 1776.
“Division in our political views is not a recent phenomenon, and as our nation’s 250th anniversary in 2026 fast approaches, it’s helpful to examine the great divisions we have overcome,” said Louise Mirrer, president and CEO, New-York Historical. “These rare documents on view—offering viewpoints of those loyal to the King and those eager to be rid of him—can help us better understand the role everyday Americans play in the struggle for democracy, including those who have been excluded from it.”
Our History of Discord
Limited Time Only! July 2 – 7, 2024
Just in time for the Fourth of July, get a fascinating look at two essential documents that demonstrate just how tumultuous the birth of the United States really was: a rare New York printing of the Declaration of Independence and a one-of-a-kind “declaration of dependence,” a petition from hundreds of Loyalist New Yorkers pledging their allegiance “to our Sovereign, against the strong tide of oppression and tyranny” at the end of November 1776.
The documents are displayed alongside the Johannes Adam Simon Oertel painting that depicts the night a statue of King George III at Bowling Green was pulled down by a rowdy crowd of revolutionaries on July 9, 1776, after the Declaration of Independence was first read aloud to the troops. Also on view: a surviving piece of that very statue, which has been in the New-York Historical collection since the late 1800s. Curated by Nina Nazionale, director of library curatorial affairs and research at the Patricia D. Klingenstein Library
Independence Day Celebration
Thursday, July 4, 11 am – 5 pm | Free with Museum admission; free admission for ages 17 and younger
Celebrate Independence Day at New-York Historical with humble street food and posh ice cream flavors that would have been familiar to New Yorkers of 1776! Meet historical interpreters to learn the fascinating stories of vendors who sold their wares in the streets and chef Hercules Posey, an enslaved cook of George Washington who self-emancipated in 1796. After sampling foods of the Revolutionary Era, make family memories together with games, crafts, a dress-up photo booth, and more.
New-York Historical Society, 170 Central Park West (77th Street), New York, NY 10024, 212-873-3400, nyhistory.org.
