The newly-opened museum of startups in Vilnius, Lithuania is showcasing the success stories of twelve home-grown startups, including the first Lithuanian unicorn Vinted (Kleiderkreisel). The museum aims to inspire locals and tourists alike while celebrating the city’s entrepreneurial spirit.
Vilnius,
Lithuania – The
world’s first museum devoted to start-ups has opened in Vilnius, the capital of
Lithuania.
Startup Museum hosts twelve stories of local startups that managed to reach global success. The list includes the first Lithuanian unicorn, pre-loved fashion marketplace Vinted (Kleiderkreisel), nanosatellite manufacturer Nanoavionics, image editing software developer Pixelmator, along with Trafi (Jelbi), Deeper, Bored Panda, Tesonet, Oberlo, CityBee, Brolis Semiconductors, MailerLite and CGTrader.
The
displayed startups come from a broad range of fields – from online platforms
and software to space exploration and laser manufacturing.
The
aim of the museum is to tell the untold stories of startups that not only found
their way to success but also made contributions to improving the business
culture within the city. Through the stories of individual startups, the
visitors will get to experience the drastic improvement that the startup scene
in Vilnius made in recent years, too.
“Opening
a startup museum is a great way to highlight how welcoming and progressive our
city is, creating the needed environment for businesses to thrive,” says
Remigijus Šimašius, the mayor of Vilnius. “At the same time, the museum will
honour the brave entrepreneurs that are true ambassadors of Vilnius around the
globe. This museum is also a good reminder that it isn’t just ideas and
investments that matter – persistence, heart, and a strong team are as
crucial.”
Each
startup highlighted in the museum is presented through its journey to success,
including the lessons learned and challenges conquered. Next to each company’s
timeline and story, visitors have a chance to see physical artefacts that each
startup sees as representations of their journey, work culture and values.
For
example, the pop culture magazine Bored Panda has a panda
costume on display to celebrate their company culture – which was worn by one
of the current employees when he came to apply for the job. While CGTrader,
the world’s largest source for stock and custom 3D models, are showcasing a
bucket that was used to collect water in the early days of the company when
they worked in an office with a leaky roof. Vinted’s exhibition
will feature, among other artefacts, a toy unicorn representing its status as a
first home-grown startup to reach EUR 1 billion in market valuation.
At
the museum, guests can also get familiar with the state of the startup
ecosystem in Vilnius and get informed about the upcoming startup-related events
and awards.
Each year, the museum will add four additional Vilnius-based startups that made the most significant strides in that particular year.
The Startup museum was established by Go Vilnius, the official business development agency of Vilnius, together with a coworking space Talent Garden Vilnius.
There
are currently 35 startup-dedicated spaces in Vilnius: twelve startup incubators
and centres, eleven business accelerators and the same amount of investment
organizations, five sandboxes dedicated to fintech, energy-related and real
estate fields. Finally, the open data policy of the Vilnius city municipality
allows businesses to test their products by using real financial, procurement,
real estate, transport and other types of data.
Go Vilnius is
the official tourism and business development agency of the City of Vilnius.
The agency provides visitors, investors, relocating talent, entrepreneurs and
businesses with all the essential information they need to know about the
Lithuanian capital. Go Vilnius offers information on everything from real
estate to leisure activities in Vilnius, simplifying the process of travelling,
relocating to, or investing in Vilnius.
Colorful glass artwork and objects by Louis C. Tiffany is on display at Rosecliff, one of the famed Newport, Rhode Island, Mansions, through March 1 (c) Karen Rubin/goingplacesfarandnear.com
NEWPORT, R.I. – Colorful glass artwork and objects by the renowned Louis C. Tiffany is on display at Rosecliff, one of the famed, grand, historic Newport Mansions, through March 1.
“Tiffany Glass: Painting with Color and Light” opens Sunday
at 4 p.m. with a lecture and reception featuring Lindsy Parrott, executive
director and curator of The Neustadt Collection of Tiffany Glass in New York
City, which organized the exhibition. Hosted by The Preservation Society of
Newport County, the exhibition showcases a selection of objects from the
Neustadt’s vast collection.
“Tiffany’s work is one of the defining examples of
innovation in Gilded Age decorative arts,” said Trudy Coxe, CEO and executive
director of the Preservation Society. “This is a great addition to our series
of exhibitions on the second floor of Rosecliff, following upon our recent,
successful Audubon presentation.”
As a painter, Tiffany (1848-1933) was captivated by the
interplay of light and color, and this fascination found its most spectacular
expression in his glass “paintings.” Through the medium of opalescent glass,
Tiffany manipulated light and color to achieve impressionistic effects using
innovative techniques and materials. His Tiffany Studios created leaded-glass
windows and lampshades in vibrant colors and richly varied patterns, textures
and opacities.
“Tiffany Glass: Painting with Color and Light” is composed
of five windows, 19 lamps and more than 100 pieces of opalescent flat glass and
glass “jewels.”
“We are thrilled to be partnering with The Preservation
Society of Newport County to share some of Tiffany’s most iconic and celebrated
works, especially since several Newport mansions featured decorations
commissioned from Tiffany,” Parrott said. “The exhibit illustrates the rich
expanse of color and light available to the artists at the Tiffany Studios, and
captures Tiffany’s artistic innovations during the Gilded Age.”
Rosecliff is located at 548 Bellevue Ave. The exhibition is
free to view with paid admission to Rosecliff. For tickets and information, visit
newportmansions.org/learn/adult-programs or call 401-847-1000, ext. 178.
The Preservation
Society of Newport County, Rhode Island, is a nonprofit organization accredited
by the American Alliance of Museums and dedicated to preserving and interpreting
the area’s historic architecture, landscapes, decorative arts and social
history. Its 11 historic properties – seven of them National Historic Landmarks
– span more than 250 years of American architectural and social development.
– Auschwitz. Not long
ago. Not far away. exhibition will remain on view at the NYC museum
through August 30, 2020, an eight-month extension from its originally scheduled
close date –
– Exhibition features more than 700 objects and 400 photographs on
display in North America for the first time, including a shofar that was
secretly blown at Auschwitz and a collection of 10 original artifacts from the
Anne Frank House –
New York, NY – Due to an overwhelming response, the Museum of Jewish Heritage – A
Living Memorial to the Holocaust today announced that Auschwitz. Not
long ago. Not far away., the most comprehensive Holocaust
exhibition about Auschwitz ever presented in North America, will be extended
until August 30, 2020. Produced by the international exhibition firm Musealia
and the Auschwitz-Birkenau State Museum in Poland, the groundbreaking
exhibition is the largest ever on Auschwitz with more than 700 original
objects and 400 photographs.
The extension responds to the record number of visitors the
exhibition drew to the Museum since opening in May. To date, more than 106,000
people from across the country and globe have come to the Museum to see the
exhibition, including more than 36,000 students to date and approximately
12,000 students scheduled to visit before the end of 2019.
“The number of adults and school visitors drawn to Auschwitz. Not long ago. Not far away. has been incredible. This exhibition greets its visitors with a clear warning to be vigilant – to not allow this history to repeat and to never presume that it won’t,” notes Bruce C. Ratner, Chairman of the Museum’s Board of Trustees. “In recent years and recent months even, we have seen a surge in antisemitic rhetoric, hate crimes, and a weaponized nationalism both here in the United States and abroad. We are extending this exhibition at our Museum because it offers clear, moral lessons that resonate powerfully today and from which visitors want to learn.”
“It has been a great honor to preside over the Museum as it presents this astounding exhibition and to witness it move so many of our visitors as deeply as it has moved me,” says Jack Kliger, the Museum’s President & CEO. “Most remarkable, this exhibition is dynamic. Already large in scope, it continues to acquire new artifacts over the course of its life, such as the shofar clandestinely used in Auschwitz that we unveiled last month ahead of Rosh Hashanah.”
“We have been profoundly overwhelmed by the phenomenal visitor response in New York – not only by the numbers themselves, but especially by the time visitors spend in the exhibition – on average two hours – and the care, attention and respect they show for this story. Deciding to visit this exhibition is a courageous step. It means confronting oneself with a traumatic, complex and challenging past. And more importantly, it helps us understand more critically our own present,” says Luis Ferreiro, Director of Musealia and the exhibition project.
“I don’t think that there is a more important exhibition presented in New York at the moment. This one about Auschwitz explores the essence of mankind, analyzes the limits of what is human, and asks important questions about our contemporary responsibility. I am glad people will be able to see it there longer,” says Dr. Piotr M. A. Cywiński, Director of the Auschwitz-Birkenau State Museum.
Auschwitz. Not long ago. Not far
away. traces the development of Nazi ideology
and tells the transformation of Auschwitz from an ordinary Polish town known as
Oświęcim to the largest German Nazi concentration camp and the most significant
site of the Holocaust —at which ca. 1 million Jews, and tens of thousands of
others, were murdered. Victims included Polish political prisoners, Sinti and
Roma, Soviet prisoners of war, Jehovah’s Witnesses, and those the Nazis deemed “homosexual,”
“disabled,” “criminal,” “inferior,” or adversarial in countless other ways. The exhibition tells not
only the story of their persecution and murder, but also the myriad ways
ordinary people responded to the unfolding genocide, including inspiring
stories of resistance, resilience, courage, and altruism. In addition, the
exhibition contains artifacts that depict the world of the perpetrators—SS men
who created and operated the largest of the German Nazi concentration and
extermination camps.
With more than 700 objects and 400 photographs, mainly from the
Auschwitz-Birkenau State Museum, the New York presentation of the exhibition
allows visitors to experience artifacts from more than 20 international museums
and institutions on view for the first time in North America, including
hundreds of personal items—such as suitcases, eyeglasses, and shoes—that
belonged to survivors and victims of Auschwitz. Other artifacts include:
concrete posts that were part of the fence of the Auschwitz camp; part of an
original barrack for prisoners from the Auschwitz III-Monowitz camp; a desk and
other possessions of the first and the longest-serving Auschwitz commandant
Rudolf Höss; a gas mask used by the SS; Picasso’s Lithograph of
Prisoner; and an original German-made Model 2 freight train car of the type
used for the deportation of Jews to the ghettos and extermination camps in
occupied Poland.
The exhibition also features 10 artifacts on loan from the Anne
Frank House in Amsterdam, which include the spilled, dried beans Anne wrote
about in her diary and that were later discovered lodged between the cracks of
stairs in the home where she hid from the German Nazis. The beans have never
been displayed anywhere before. Most recently, the Museum announced the exhibition’s
incorporation of a shofar (a ram’s horn that is made into a special wind
instrument used during Jewish High Holiday services) that was hidden and
clandestinely blown in the Auschwitz. The shofar was newly added to the
exhibition on the cusp of the High Holy days and temporarily transported to two
New York City synagogues to be blown on Rosh Hashanah and Yom Kippur.
The Museum of Jewish Heritage has incorporated into the exhibition
nearly 100 rare artifacts from its collection that relay the experience of
survivors and liberators who found refuge in the greater New York area. These
artifacts include: Alfred Kantor’s sketchbook and portfolio that contain over
150 original paintings and drawings from Theresienstadt, Auschwitz, and
Schwarzheide; the trumpet that musician Louis Bannet (acclaimed as “the Dutch
Louis Armstrong”) credits for saving his life while he was imprisoned in
Auschwitz; visas issued by Chiune Sugihara, a Japanese diplomat in Lithuania
often referred to as “Japan’s Oskar Schindler”; prisoner
registration forms and identification cards; personal correspondence; tickets
for passage on the St. Louis; and a rescued Torah scroll from the
Bornplatz Synagogue in Hamburg.
Also on display from the Museum of Jewish Heritage collection is
Heinrich Himmler’s SS helmet and his annotated copy of Hitler’s Mein Kampf, as well
as an anti-Jewish proclamation issued in 1551 by Ferdinand I that was given to
Hermann Göring by German security chief Reinhard Heydrich on the occasion of
Göring’s birthday. The proclamation required Jews to identify themselves with a
“yellow ring” on their clothes. Heydrich noted that, 400 years later, the Nazis
were completing Ferdinand’s work. These artifacts stand as evidence of a
chapter of history that must never be forgotten.
Alongside Auschwitz. Not long ago. Not far away.,
the Museum offers a series of talks, screenings, performances, and
commemorative events that further explore Jewish history and life before,
during, and after the Holocaust. The last week of October, artist and Holocaust
survivor William Bernheim will discuss his history and artistic response, and
author Marty Brounstein will present a program abouta Christian couple in the
Netherlands who saved the lives of over two dozen Jews. November programming includes
commemorative events for the 81stanniversary of Kristallnacht,
including “Stories Survive: An Eyewitness Account of Kristallnacht”
with Ruth Zimbler. In December, The Sorceress will
be performed by the resident National Yiddish Theatre Folksbiene. To learn
more about these and other activities, visit the Museum’s Events page
here: https://mjhnyc.org/current-events/
Following the New York presentation, the exhibition is intended to
tour other cities around the world. Future destinations will be announced by
Musealia and the Auschwitz-Birkenau State Museum.
Curated by an international team of experts led by historian Dr.
Robert Jan van Pelt, Auschwitz. Not long ago. Not far away. first
opened in New York City on May 8, 2019 after its successful run at Madrid’s
Arte Canal Exhibition Centre, where it was extended two times, drew more than
600,000 visitors, and was one of the most visited exhibitions in Europe last
year. The exhibition explores the dual identity of the camp as a physical
location—the largest documented mass murder site in human history—and as a
symbol of the borderless manifestation of hatred and human barbarity.
Museum of Jewish Heritage Board Vice Chairman George Klein visited
the exhibition in Spain and recommended to his Board that they bring it to
Lower Manhattan.The exhibition features artifacts and
materials on loan from more than 20 institutions and private collections around
the world. In addition to the Auschwitz-Birkenau State Museum and the Museum of
Jewish Heritage – A Living Memorial to the Holocaust, participating
institutions include Yad Vashem in Jerusalem, Anne Frank House in Amsterdam,
United States Holocaust Memorial Museum in Washington, Auschwitz Jewish Center
in Oświęcim, the Memorial and Museum Sachsenhausen in Oranienburg, and the
Wiener Library for the Study of the Holocaust and Genocide in London.
Auschwitz. Not long ago. Not far away. was conceived of by Musealia and the
Auschwitz-Birkenau State Museum and curated by an international panel of
experts, including world-renowned scholars Dr. Robert Jan van Pelt, Dr. Michael
Berenbaum, and Paul Salmons, in an unprecedented collaboration with historians
and curators at the Research Center at the Auschwitz-Birkenau State Museum, led
by Dr. Piotr Setkiewicz.
“When we, the Musealia curatorial team set out to design the
Auschwitz exhibition, we realized that we faced a difficult problem. In
Auschwitz over a million people, mostly Jews, were murdered shortly after their
arrival or suffered and died in unimaginable circumstances. How does one create
an exhibition about such a dark chapter in human history that, in our
understanding, is not long ago and happened in a place not far away? How does
one make the public, that has so many opportunities to explore a great city like
New York, decide that it would want to see such an exhibition? Our tools were
straightforward: a narrative told through more than 700 original artifacts, 400
original images, 100 stories, made present by means of filmed testimonies and
quotes – all revealing individual experiences of a history we must learn from,”
says Dr. Robert Jan van Pelt, Chief Curator.
Auschwitz. Not long ago. Not far
away. is presented in the symbolic,
hexagonally-shaped core building at the Museum of Jewish Heritage. This 18,000-square-foot
exhibition introduces artifacts and Holocaust survivor testimony through 20
thematic galleries.
Auschwitz. Not long ago. Not far
away. at the Museum of Jewish Heritage – A
Living Memorial to the Holocaust is made possible with lead support by Bruce C.
Ratner, George and Adele Klein Family Foundation, Ingeborg and Ira Leon
Rennert, and Larry and Klara Silverstein & Family. The exhibition is
presented in part with major support by The David Berg Foundation, Patti
Askwith Kenner, The Oster Family Foundation, and The Bernard and Anne Spitzer
Charitable Trust. The New York premiere is made possible in part by Simon &
Stefany Bergson with additional support from The Knapp Family Foundation.
GENERAL INFORMATION
TICKETS
Entry is by timed ticket available at Auschwitz.nyc. Audio guide
(available in 8 languages) is included with admission.
$25 Flexible Entry—entry any time on a specific day
$16 Adults
$12 Seniors and People with Disabilities
$10 Students and Veterans
$8 Museum Members
FREE for Holocaust survivors, active members of the military and
first responders, and students and teachers through grade 12 in schools located
in New York, New Jersey, and Connecticut (with valid school-issued ID).
For group visits, contact the Museum at 646.437.4304 or [email protected]. See Auschwitz.nyc for more information.
HOURS AS OF NOVEMBER 1, 2019:
Sunday, Monday, Tuesday &
Thursday 10 AM to 6
PM
Wednesday 10
AM to 9 PM
Friday 10
AM to 3
PM
Last admission to Auschwitz. Not long ago. Not far away. is
2 hours before closing time. Last entrance to the rest of the Museum is 30
minutes prior to closing time.
The
Museum of Jewish Heritage – A Living Memorial to the Holocaust is New York’s contribution to the global responsibility to never
forget. The Museum is committed to the crucial mission of educating diverse
visitors about Jewish life before, during, and after the Holocaust. The third
largest Holocaust museum in the world and the second largest in North America,
the Museum of Jewish Heritage anchors the southernmost tip of Manhattan,
completing the cultural and educational landscape it shares with the Statue of
Liberty and Ellis Island.
Since 1997, the Museum of Jewish Heritage has welcomed more than
2.5 million visitors; it maintains a collection of more than 40,000 artifacts,
photographs, documentary films, and survivor testimonies and contains
classrooms, a 375-seat theater (Edmond J. Safra Hall), special exhibition
galleries, a resource center for educators, and a memorial art
installation, Garden of Stones, designed by internationally
acclaimed sculptor Andy Goldsworthy.
The Museum receives general operating support from the New York
City Department of Cultural Affairs and New York State Council on the
Arts.
The Museum is closed on Saturdays, Jewish holidays, and
Thanksgiving.
Museum of Jewish Heritage – A Living Memorial to the Holocaust, 36 Battery Place, New York City, 646-437-4202, mjhnyc.org.
New York, NY – The New-York Historical
Society, the oldest museum in New York, celebrates Revolutionary Summer.
The festivities kick off on July 4, with Free Admission for kids 17 and under.
A Museum-wide exploration of Revolutionary War times, Revolutionary Summerpresents outdoor events
every weekend featuring characters from the era; 18th-century art and
artifacts; a diorama of the Continental Army; and a host of programs for all
ages, including trivia nights, a DJ evening, and a Revolutionary Drag Tea
Party. On select weekends, visitors can explore a replica of George
Washington’s Headquarters Tent at an outdoor Continental Army encampment, meet
Living Historians portraying soldiers and spies, and learn about the many
facets of camp life during the War for Independence.
“We’re so excited to welcome visitors to New-York Historical this
summer with a full line-up of fun ways to experience the Revolutionary era,”
said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “Revolutionary
Summer celebrates the outstanding, revolutionary times that ignited
the birth of our country with everything from a scavenger hunt to the chance to
meet George Washington.”
The centerpiece of Revolutionary Summer is a replica of George Washington’s Headquarters Tent, on display in New-York Historical’s outdoor courtyard on select weekends.
George Washington’s Headquarters Tent July 4–7 | July 26–28 | August 16–18 | August 23–25 | September 13–15 The centerpiece of Revolutionary Summer is a replica of George Washington’s Headquarters Tent, on display in New-York Historical’s outdoor courtyard on select weekends. The original Tent is on display at the Museum of the American Revolution (MoAR) in Philadelphia. Often called the “first Oval Office,” the Headquarters Tent was where Washington and his most trusted staff plotted the strategy that ultimately won the Revolutionary War. On loan from MoAR, this painstakingly detailed, hand-sewn replica—made of custom woven linen and wool fabrics—was created as part of a collaboration between MoAR and Colonial Williamsburg. The Tent is staffed by MoAR educators, who lead visitors on an immersive tour through history.
On View A host of special installations and artifacts are on view at New-York Historical as part of Revolutionary Summer. One of the highlights is a recently discovered watercolor painting of the 1782 Continental Army encampment at Verplanck’s Point, New York—the only known eyewitness image of Washington’s Headquarters Tent during the Revolutionary War—on loan from MoAR. Other highlights include a camp cot used by Washington at Valley Forge during the winter of 1777; John Trumbull’s iconic painting of Washington that he gave to Martha Washington in 1790; and a pipe tomahawk gifted by Washington to Seneca Chief Sagoyewatha. Also on display is a diorama depicting the Verplanck’s Point encampment and the Hudson River shoreline, providing visitors with a 360-degree view of the scope and scale of Washington’s forces.
Revolutionary Summer also showcases historic documents from the Gilder Lehrman Institute of American History, including an original 1823 William J. Stone facsimile of the Declaration of Independence; a broadside from King George III announcing the armistice and officially ending the war; and a letter by Martha Washington detailing domestic life in the aftermath of the Revolution.
Independence Day Celebration: Celebrate the Fourth of July exploring George Washington’s
encampment! Enter his Headquarters Tent, meet the man himself, and experience
where the future first president strategized, dined, and slept while MoAR staff
describe his daily life. Also on tap: singalongs with the Hudson River
Ramblers; fife and drum corps music; a one-woman play about Deborah Sampson,
the woman who disguised her gender to enlist in the Continental Army;
family-friendly food for purchase; and Living Historians portraying soldiers
from the Continental Army, as well as John Adams, who’ll read the Declaration
of Independence. Free Admission for kids age 17 and under.
Living History Weekends: Outdoor Continental Army Encampment: Every weekend, visitors of all ages can explore a recreation of
the Continental Army’s encampment in New-York Historical’s courtyard, located
on 76th Street, around the corner from Central Park West. Free with
Museum Admission.
George Washington’s Spies, Bodyguards, and Agents | July 6 & 7 Your top-secret mission: Enter George Washington’s encampment, meet with him and his spies, and decode your own message.
Join the Continental Army | July 13 & 14 | August 31 & September 1 | September 7 & 8 The Continental Army wants you! Explore their encampment tents and displays of 18th-century weaponry, participate in drills, and interact with all of the tools and equipment of a common soldier.
Everyday Life in Camp | July 20 & 21 Join the 3rd New Jersey Regiment to experience how soldiers and their families spent time in camp when they weren’t marching to war. Meet the women who helped prepare for military campaigns, play with 18th-century toys and games, and witness how soldiers passed the time.
Field Music on the March | July 27 & 28 March along to Revolutionary War field music performed by the drum and fife musicians of Hearts of Oak and the New Jersey Field Music Group.
Deborah Sampson, Fighting Woman | August 3 & 4 Meet Deborah Sampson—the woman who disguised her gender to enlist in the Continental Army—and members of her regiment, the 7th Massachusetts. Join Deborah for military drills and explore the inner workings of her regiment, from muskets to tents and knapsacks to ground cloths.
Fighting on Horseback | August 10 & 11 Saddle up! Get an up close look at the special equipment, weapons, and techniques used by cavalry in the Continental Army and meet the 2nd Continental Light Dragoons and the 4th Legion.
George Washington’s Encampment | August 17 & 18 | August 24 & 25 Enter George Washington’s Headquarters Tent and experience what life was like during the war—from meals to down time to battle preparations.
Metalsmithing in George Washington’s Encampment | September 14 & 15 Learn all about the crucial craft of metalsmithing as you tour George Washington’s encampment. Examine the smith’s tools and take a turn at shaping a bowl or a button.
What the History?
This millennial-focused series of fun events and programs explores fascinating Revolutionary topics while drinking and mingling!
Revolutionary Trivia Night! |Friday, July 12, 8 pm | Friday, August 23, 8 pm | $20 ($18 Members) Do you know what George Washington’s favorite breakfast beverage was? If you do (or even if you don’t), bring your friends for a fun night of trivia courtesy of the fact fanatics at Trivia, AD! Ages 21 and up. Wine included with ticket.
Revolutionary Drag Tea Party | Sunday, July 14, 3 pm | $25, includes Museum Admission Dress to impress in your best period-inspired drag and play Revolutionary War-era games, enjoy snacks and cocktails, and compete in categories like Most Revolutionary Outfit. Ages 21 and up. Drinks and snacks included with ticket.
Trans Identity and the Incredible Story of Deborah Sampson, Female Revolutionary War Hero | Wednesday, July 24, 6:30 pm | $20 ($18 Members) Explore the extraordinary, true story of Revolutionary War hero Deborah Sampson with Alex Myers, as he discusses his novel Revolutionary. Ages 21 and up. Wine included with ticket.
Nerdy Thursdays: Revolution Night | Thursday, August 8, 6:30 pm | Free with RSVP Swing by the Museum for this signature event from the Black Gotham Experience that brings together a DJ, gallery talks, cocktails, and a brilliant group of nerdy people. RSVP at blackgotham.com
Watson Adventures: Revolutionary Trail Scavenger Hunt | Friday, August 16, 6 pm | Free with Pay-as-you-wish Admission Explore the Museum’s Revolutionary Trail and solve a series of puzzles involving objects on display, led by Watson Adventures. Game lasts 45 minutes. Smartphone is needed to play.
For additional information about Revolutionary Summer and its related programs, visit nyhistory.org/revsummer.
Lead support for Revolutionary Summer provided by the Achelis and Bodman Foundation. Additional support provided by Richard Brown and Mary Jo Otsea. Support for the MoAR’s participation in Revolutionary Summer is generously provided by William and Candace Raveis. Exhibitions at New-York Historical are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, the Seymour Neuman Endowed Fund, the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature. WNET is the media sponsor.The New-York Historical Society, one of America’s preeminent culturalinstitutions, is dedicated to fostering research and presenting history and art exhibitions and public programs that reveal the dynamism of history and its influence on the world of today. Founded in 1804, New-York Historical has a mission to explore the richly layered history of New York City and State and the country, and to serve as a national forum for the discussion of issues surrounding the making and meaning of history.
The Museum of the American Revolution explores the dramatic, surprising story of the American Revolution through its unmatched collection of Revolutionary-era weapons, personal items, documents, and works of art. Immersive galleries, powerful theater experiences, and interactive digital elements bring to life the diverse array of people that created a new nation against incredible odds. Visitors gain a deeper appreciation for how this nation came to be and feel inspired to consider their role in the ongoing promise of the American Revolution. Located just steps away from Independence Hall, the Museum serves as a portal to the region’s many Revolutionary sites, sparking interest, providing context, and encouraging exploration. The Museum is a private, non-profit, and non-partisan organization. For more information, visit www.AmRevMuseum.org or call 877.740.1776.
With just days to go before closing for good on January 27, New-York Historical Society is extending its evening hours for people to see its blockbuster exhibit, Harry Potter: A History of Magic in its final week.
Because of the extraordinary popularity of the exhibit, the museum is staying open until 7 pm most weekdays and until midnight on Friday and Saturday of the final week. Advance booking of the timed-tickets is essential.
Visitors will also receive 10% discount for dinner at Storico, the restaurant within New-York Historical, when they present an exhibition ticket during the last week of its run.
The blockbuster British Library exhibition at New-York Historical Society captures the traditions of folklore and magic at the heart of the Harry Potter stories with manuscripts from J.K. Rowling’s personal archives, original illustrations from Harry Potter artists, costumes and set models from the award-winning play Harry Potter and the Cursed Child, and centuries-old books, manuscripts, and magical objects from the British Library, New-York Historical, and other museums.
“Harry Potter” is a must-see on so many levels. It isn’t just for fans of J.K. Rowling’s wildly popular series, providing amazing insights into her creative process through glimpses at original hand-written drafts and drawings. It also provides extraordinary insights into the history of magic – the centuries of folklore, myth and legend – that provided the foundation for her stories. You see the original documents and artifacts that Rowling drew on history and tradition (I thought it all came from her imagination, and did not realize everything, even the names she used, had a foundation in history. You also realize how magic and witchcraft actually provided the foundation of science and medicine.
Unique to New York Historical’s presentation—and on public view for the very first time—are Mary GrandPré’s pastel illustrations for the cover of Scholastic’s original editions of the novels; Brian Selznick’s newly created artwork for the covers of the 20th anniversary edition of the Harry Potter series published by Scholastic; cover art by Kazu Kibuishi featured in Scholastic’s 15th anniversary box set; and costumes and set models from Harry Potter and the Cursed Child.
We spent an entire day at the Historical Society. There are so many fascinating exhibits – some which are permanent, like a collection of Tiffany lamps and a room devoted to everyday objects of old New York that remind you of the Smithsonian, and some exhibits which are temporary and constantly change.
Brittney Cooper and Rebecca Traister Join Irin Carmon on January 23 to Examine Women’s Rage, Women’s Power
Here is more of what is happening at the New-York Historical Society:
EXHIBITIONS Billie Jean King: The Road to 75 LAST CHANCE: Now through January 27, 2019
Presented in honor of her 75th birthday, this exhibition celebrates Billie Jean King through more than 75 photographs depicting her remarkable life and career. A sports icon as well as a lifelong advocate for gender equality and social justice, King lobbied for and obtained equal prize money for women at the US Open in 1973. She is renowned for her celebrated win over Bobby Riggs in the “Battle of the Sexes” match on September 20, 1973, and has won an incredible 39 Grand Slams.
Mort Gerberg Cartoons: A New Yorker’s Perspective COMING SOON: February 15 – May 5, 2019
Artist Mort Gerberg grew up with a pencil in his hand, creating cartoons from the time he was a young boy in his native Brooklyn. Illustrated with a sensitivity and humor that have made him beloved by his audiences, his work has been featured in major publications, including the New Yorker and Saturday Review. The 100 cartoons on view in this exhibition cover a range of topics, such as life in New York City, women, youth, old age, and politics.
Black Citizenship in the Age of Jim Crow
Now through March 3, 2019 Black Citizenship in the Age of Jim Crow explores the struggle for full citizenship and racial equality that unfolded in the 50 years after the Civil War. When slavery ended in 1865, a period of Reconstruction began, leading to such achievements as the Fourteenth and Fifteenth Amendments to the Constitution. By 1868, all persons born in the United States were citizens and equal under the law. But efforts to create an interracial democracy were contested from the start. A harsh backlash ensued, ushering in a half century of the “separate but equal” age of Jim Crow. Opening to mark the 150th anniversary of the ratification of the Fourteenth Amendment, the exhibition is organized chronologically from the end of the Civil War to the end of World War I and highlights the central role played by African Americans in advocating for their rights. It also examines the depth and breadth of opposition to black advancement. Art, artifacts, photographs, and media help visitors explore these transformative decades in American history and understand their continuing relevance today.
Meditations in an Emergency
Now through April 28, 2019
The New-York Historical Society’s first artist-in-residence, Bettina von Zwehl, presents new works inspired by her study of the Museum’s collection of American portrait miniatures and silhouettes, including profile drawings by Benjamin Tappan (1773–1857). The 17 silhouette portrait photographs of New York City teens—a silent memorial for those who lost their lives at Marjory Stoneman Douglas High School on Valentine’s Day 2018—serve as a catalyst to engage viewers with ideas of protest and teen activism. Based in London, von Zwehl is an internationally recognized fine art photographer whose work explores the form and practice of portraiture by drawing upon historical iconography as well as the traditions of painted portrait miniatures and cut-paper silhouettes. Her powerful and intimate photographs honor the past while expanding the boundaries of portraiture.
Betye Saar: Keepin’ It Clean Now through May 27, 2019 Contemporary artist Betye Saar has shaped the development of assemblage art in the United States, particularly as a device to illuminate social and political concerns. A key figure in the Black Arts Movement and the feminist art movement of the 1960–70s, Saar’s distinct vision harmonizes the personal and the political. Over the years, Saar has transformed the representation of African Americans in our culture by recycling and reclaiming derogatory images such as Aunt Jemimas, Uncle Toms, sambos, and mammies to confront the continued racism in American society and create representations of strength and perseverance. This exhibition focuses on one facet of her work—washboards—created between 1997 and 2017. Presented in the Joyce B. Cowin Women’s History Gallery, part of the Center for Women’s History, the exhibition is organized by the Craft and Folk Art Museum, Los Angeles. Audubon’s Birds of America Ongoing
Visitors have the unique experience of viewing John James Audubon’s spectacular watercolor models for the 435 plates of The Birds of America (1827–38) with their corresponding plates from the double-elephant-folio series, engraved by Robert Havell Jr. Each month, the exhibition rotates to highlight new species—featured in the order they appear in Audubon’s publication—which showcase the artist’s creative process and his contributions to ornithological illustration. Other works from New-York Historical’s collection, the world’s largest repository of Auduboniana, illuminate Audubon’s process. January welcomes the Northern Parula, and in February, the Peregrine Falcon is on view. Accompanying the Peregrine Falcon is a photograph of Damien Mitchell’s mural located at 752 St. Nicholas Avenue inspired by Audubon’s watercolor.
Objects Tell Stories, the Gallery of Tiffany Lamps, and the Center for Women’s History on the Fourth Floor Ongoing Explore American history through stunning exhibitions and captivating interactive media on our transformed fourth floor. Themed displays in the North Gallery present a variety of topics—such as slavery, war, infrastructure, childhood, recreation, and 9/11—offering unexpected and surprising perspectives on collection highlights. Touchscreens and interactive kiosks allow visitors to explore American history and engage with objects like never before. As the centerpiece of the fourth floor, the Gallery of Tiffany Lamps features 100 illuminated Tiffany lampshades from our spectacular collection displayed within a dramatically lit jewel-like space. Within our new Center for Women’s History, visitors discover the hidden connections among exceptional and unknown women who left their mark on New York and the nation with the multimedia digital installation, Women’s Voices, and through rotating exhibitions in the Joyce B. Cowin Women’s History Gallery. Objects from the Billie Jean King Archive are also on view.
Collector’s Choice: Highlights from the Permanent Collection Ongoing Since 1804, the New-York Historical Society has been welcoming to its collection some of the most esteemed artworks of the modern world. Collector’s Choice: Highlights from the Permanent Collection showcases a selection of paintings that reflect the individual tastes of several New York City collectors who donated their holdings to New-York Historical. Joining Picasso’s Le Tricorne ballet curtain are featured American and European masterpieces spanning the 14th through the 21st centuries from Luman Reed, Thomas Jefferson Bryan, and Robert L. Stuart, including colonial portraits of children, marine and maritime subjects, and an installation showcasing recently collected contemporary works.
HARRY POTTER: A HISTORY OF MAGIC EXHIBITION-RELATED PROGRAMS The Epic Tale of Children’s Literature
Wednesday, January 16, 7 – 8:30 pm
$35 (Members $30) | Students $25
Harry Potter is one of the latest in a long line of great children’s literature characters. Journey through a colorful century of writing and illustrating for young people with Leonard Marcus, and see how the field has evolved from Madeline to Mo Willems, from the Hardy Boys to Harry Potter. Wine and cheese will be served. Ages 21 and up.
Sorcery Saturday
Saturday, January 19, 7:30–10:30 pm
$35 (Members $30) | Students $25
Join us for a spellbinding evening at the Museum! Enjoy magical cocktails, see costumes from Harry Potter and the Cursed Child, examine magical artifacts from around the world, and try your hand at enchanting crafts and activities in our renowned Library. Food and drinks will be available for purchase. Ticket includes entry to Harry Potter: A History of Magic. Ages 21 and up.
The Harry Potter Effect
Wednesday, January 23, 7 – 8:30 pm
$35 (student $25)
Twenty years after the publication of the first book, the Harry Potter phenomenon still looms large in popular culture and our cultural consciousness. Join moderator Karen Ginman and a panel of journalists, editors, and booksellers as they explore how Harry and his friends have changed the landscape of children’s literature and how they continue to permeate different facets of everyday life. Wine and cheese will be served. Ages 21 and up.
$38 (Members $24)
In the decades following the American Revolution, the new nation was deeply divided. As countless enslaved people risked their lives to seek refuge in the free North, Congress struck a deal—the Compromise of 1850—to soothe the mounting tensions between Northerners who opposed slavery and Southerners who demanded the return of their human “property.” That tenuous balance finally collapsed with the eruption of the Civil War in 1861. Experts examine how fugitive slaves shaped the American story.
Wednesday, January 16, 7 pm
$38 (Members $24) | 35 and under $10
Confronted by one crisis after another, President George W. Bush struggled to defend the country and remake the world, serving during an era marked by the September 11th terror attacks, the Iraq War, Hurricane Katrina, and financial collapse. Join Peter Baker, chief White House correspondent for the New York Times and a political analyst for MSNBC, and Douglas Brinkley, presidential historian for CNN and the New-York Historical Society, as they discuss the Bush presidency.
$15 | Free for Members of the Women’s History Council
In November, the Center for Women’s History opened Betye Saar: Keepin’ It Clean in the Joyce B. Cowin Women’s History Gallery amid a remarkable outpouring of black women’s creative labor in New York City. Meanwhile, also on view at New-York Historical, Black Citizenship in the Age of Jim Crow tells many of the historical stories that Saar’s artwork interrogates. At the Brooklyn Museum, Soul of a Nation: Art in the Age of Black Power features Saar’s work alongside that of her contemporaries in the Black Arts Movement. And at Columbia’s Wallach gallery, Posing Modernity: The Black Model from Manet to Matisse to Today explores the changing modes of representation of the black figure as central to the development of modern art. Join us as curators Ashley James (Brooklyn Museum), Dominique Jean-Louis (New-York Historical Society), and Denise Murrell (Columbia/Wallach) celebrate these riveting exhibitions—all currently on view in New York City—and highlight the connections and relationships between them. Refreshments will be served.
Sunday, January 20, 12:30 – 2 pm
$30 (Members $20) | Students $25
How did African Americans use fashion to fight for equality? Join us as Harvard professor Dr. Jonathan M. Square, founder of Fashioning the Self in Slavery and Freedom, explores African American fashions as a radical form of self-determination on a special tour of our exhibition Black Citizenship in the Age of Jim Crow. Afterwards, we’ll gather for discussion and he’ll lead a visual analysis of images and photographs of famous and more obscure African Americans who employed fashion not only to critique and counter ideologies that cast them as inferior, but also to stake a claim in larger political struggles for freedom and equity. Ticket includes Museum Admission, a bagel brunch, tour, and discussion.
Two of America’s most important feminist voices have written books grappling with the power of women’s anger. Brittney Cooper’s Eloquent Rage: A Black Feminist Discovers Her Superpower and Rebecca Traister’s Good and Mad: The Revolutionary Power of Women’s Anger take women’s fury seriously as a political response and force for change. They place women’s rage in historical context, and show how such anger has been trivialized or weaponized to undermine women. Join us for a lively conversation as Cooper and Traister discuss women’s anger with New York magazine senior correspondent and CNN contributor Irin Carmon. Refreshments will be served.
Winston Churchill easily had the best sense of humor of any British politician of his day—and perhaps any prime minister in history. He made regular, funny jokes at even the most perilous moments of his life and his country’s. Andrew Roberts, author of the new biography Churchill: Walking with Destiny, examines Churchill’s extraordinary wit and the political use to which he put it. From Wildean quips to English High Irony to ruthless ridicule, Churchill’s capacity to joke was a powerful weapon in his political armory.
In recent years, monuments commemorating the Confederacy have created enormous controversy. Hundreds of memorials honoring Confederate leaders such as General Robert E. Lee and President Jefferson Davis were constructed not immediately following the Civil War, but during the height of the Jim Crow era between the 1890s and 1950s. In the wake of the 2017 white nationalist march in Charlottesville, VA, experts ponder how memory and the ongoing battle for racial equality continue to shape modern America.
When the Cold War ended, many, including former Secretary of State Madeleine Albright, believed that democracy had triumphed politically once and for all. Yet nearly 30 years later, the direction of history no longer seems certain. Join one of the world’s most admired international leaders as she discusses the history and current resurgence of fascism, drawing on her experiences as a child in war-torn Europe and her distinguished career as a diplomat, uncovering the virulent threat it poses to international freedom, prosperity, and peace.
Saturday, February 2, 9 – 9:30 am: Registration and Continental Breakfast | 9:30 – 11 am: Program
$48 (Members $38)
Following a Friday night screening of The Story of Qiu Ju, legal scholars discuss the complicated nature of the rule of law—exploring how norms, culture, and community tradition are often pitted against or left unrecognized by formal legal doctrine and policy.
Esteemed foreign policy experts return for an update on the current state of global affairs from North Korea and Iran to the European Union. Join us for a conversation on where America stands among its allies and enemies in the world today.
Tuesday, February 5, 6:30 pm
$38 (Members $24) | 35 and under $10
Join leading legal scholars for a talk on the First Amendment—uncovering why the basic Constitutional right has been subject to so much controversy and misunderstanding as well as the continued vital importance of free speech today.
Coinciding with the 102nd anniversary of the sweeping, restrictive Immigration Act of 1917, legal scholars delve into the history of immigration law in the United States. Discover how constitutional interpretations of immigration law and policy have shaped the fabric of American society for generations and continue to spark heated political debate today.
Almost immediately following his assassination, Abraham Lincoln was transformed from the embattled wartime leader and the Great Emancipator into somewhat of an American saint. More than 150 years since his death, conservatives, liberals, and independents alike continue to find inspiration and guidance from the 16th president’s wisdom and steadfastness. Beginning with Lincoln’s funeral tour and the creation of Daniel Chester French’s memorial—a story ironically filled with incredible racism—up through the present day, Lincoln Prize winner Harold Holzer explores the iconic leader’s enduring presence within the American consciousness.
Martha S. Jones, Eric Foner, Wednesday, February 13, 6:30 pm, $38 (Members $24)
In conjunction with the exhibition Black Citizenship in the Age of Jim Crow, historians uncover the history of how free African American activists fought for their status as citizens before the Civil War. Explore the constitutional challenges—including the U.S. Supreme Court case Dred Scott v. Sandford—and successes along the road to the passage of the 14th Amendment and expanded citizenship for all Americans. The Outbreak of World War II: 80 Years Later
John H. Maurer, Saturday, February 16, 9–9:30 am: Registration and Continental Breakfast | 9:30–11 am: Program, $48 (Members $38)
World War II stands out as the deadliest and perhaps most famous conflict in human history. But how did the War begin, and could the massive bloodshed have been avoided? In commemoration of the 80th anniversary of the war’s outbreak, historian John Maurer revisits the origins of fighting in Europe in 1939 and illuminates how Western democracies came to confront Adolf Hitler and the threat of global fascism.
Yoram Hazony, Roger Hertog, Tuesday, February 19, 6:30 pm, $38 (Members $24)
What safeguards exist to protect liberty in our rapidly changing world? Reflecting on historic nationalist movements—from 16th-century Europe and America to the more recent “Brexit”—author Yoram Hazony discusses the role nationalistic ideals have played in bringing independence to people throughout history and how love of country can promote the virtues of personal and collective freedom.
Wednesday, February 20, 6:30 pm – 7:30 pm, Free, but registration is required. RSVP to [email protected]
Harlem historian and Columbia University Community Scholar John Reddick brings Harlem to life with this riveting look at the neighborhood’s history and the pulsing creativity it nurtured at the dawn of the 20th century, crafting modern music and the American songbook as we know it. Through sheet music, recordings, and other documents, Reddick illustrates the cultural links between Harlem’s turn-of-the-century African American composers (James Reese Europe, H.T. Burleigh) and its Jewish composers (George Gershwin, Richard Rogers) and the back-and-forth influence they had on jazz and popular music. Join us to explore how African American and Jewish musicians expressed their outsider feelings in society through their art.
John A. Farrell, Douglas Brinkley, Thursday, February 21, 7 pm, $38 (Members $24) | 35 and under $10
John A. Farrell, who discovered the evidence that Richard Nixon interfered in President Johnson’s peace efforts in Vietnam during the 1968 presidential election, in conversation with Douglas Brinkley, discusses the life and career of a man who led America in a time of turmoil and left the country in a darker age.
Khalil Gibran Muhammad, Tuesday, February 26, 6:30 pm, $38 (Members $24) | 35 and under $10
In conjunction with New-York Historical Society’s exhibition Black Citizenship in the Age of Jim Crow, Professor Khalil Gibran Muhammad discusses how the legacy of Jim Crow continues to reverberate throughout American society today and illuminates how much work is still left to be done on the path towards racial equality and civil rights for all.
Richard Brookhiser, Dale Gregory, Thursday, February 28, 6:30 pm, $38 (Members $24) | 35 and under $10 Join us for the final installment of our five-part series on Gouverneur Morris, Alexander Hamilton’s best friend. Learn how Morris spent his later years—falling in love with the sister-in-law of Thomas Jefferson’s daughter, a disgraced member of the prominent Randolph family—and follow him to the days after the infamous Hamilton-Burr duel, when he gave the eulogy at Hamilton’s funeral and established a fund for his fallen friend’s family.
JUSTICE IN FILM SERIES
This series explores how film has tackled social conflict, morality, and the perennial struggle between right and wrong. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advance reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. The Story of Qiu Ju (1992)
Friday, February 1, 7 pm
In this Venice Film Festival Golden Lion award winner, Qiu Ju, a peasant woman living in rural China, travels to the big city in an effort to get justice for her husband after he is humiliated by a local community leader—and deals with the pitfalls of the justice system along the way. Directed by Zhang Yimou. Starring Gong Li, Liu Peiqi, Lei Kesheng. 100 min.
A Matter of Life and Death (1946)
Friday, February 8, 7 pm
Introduced by Thelma Schoonmaker, three-time Academy Award-winner and longtime editor for Martin Scorsese, this British post-war classic and special effects marvel of its time will be presented in a new restoration. After bomber pilot Peter Carter miraculously survives his plane crashing, he must defend his right to live against seemingly impossible odds. Directed by Michael Powell and Emeric Pressburger. Starring David Niven, Kim Hunter, Robert Coote. 104 min.
Shadow of a Doubt (1943)
A teenage girl bored with her humdrum life is thrilled when her sophisticated and worldly uncle comes to visit her quiet town, but she quickly realizes he’s brought with him much more than what initially meets the eye. Directed by Alfred Hitchcock. Starring Teresa Wright, Joseph Cotten, Macdonald Carey. 108 min.
People Will Talk (1951)
In this romantic comedy with echoes of the McCarthy era, a physician becomes embroiled in a witch hunt-like misconduct trial by a jealous rival who questions everything from his work methods to his personal relationships. Directed by Joseph L. Mankiewicz. Starring Cary Grant, Jeanne Crain, Finlay Currie. 110 min.
Explore New York history and discover your own family’s history! Presented in partnership by the New-York Historical Society and the New York Genealogical and Biographical Society, this exciting collaborative program invites you into the New-York Historical Society’s Museum and Library to dive into New York’s past while learning research skills to uncover your family history—all in one afternoon. The program includes a tour of extraordinary and everyday objects from New-York Historical’s collection, advice on how to conduct genealogical research in the special collections at the Patricia D. Klingenstein Library at New-York Historical, and tips on how to discover your family’s story from an expert at the New York Genealogical and Biographical Society. This comprehensive experience is ideal for those who are just starting their own research.
Thursday, February 21, 6 pm – 7:30 pm, Purchase at nyadventureclub.com
On this behind-the-scenes tour, take an intimate and interactive journey through the conservation lab where staff preserve some of the most illuminating paper-based treasures in New-York Historical’s collection, primarily held within the Patricia D. Klingenstein Library. Witness firsthand how conservators prepare, treat, install, and de-install Library and Museum paper-based collections for exhibitions and loans, as well as stabilize large collections for storage and use. Try out conservation treatment techniques led by the conservation staff.
New-York Historical Society, 170 Central Park West (at 77th Street), 212-873-3400, nyhistory.org.
Niagara Falls, NY – The much-anticipated Niagara Falls Underground Railroad Heritage Center, an experiential museum that reveals authentic stories of Underground Railroad freedom seekers and abolitionists in Niagara Falls, has just opened, May 4. A project of the Niagara Falls Underground Railroad Heritage Commission in cooperation with the Niagara Falls National Heritage Area, a program of the National Park Service, the Heritage Center inspires visitors to recognize modern injustices that stem from slavery and to take action toward an equitable society. It is located in the former 1863 U.S. Custom House attached to the new Niagara Falls Amtrak Station.
“As the first new cultural attraction in the City of Niagara Falls in over 35 years, opening the Underground Railroad Heritage Center is an incredibly significant event, both to the people of Niagara Falls, and throughout the world,” said Bill Bradberry, President and Chair, Niagara Falls Underground Railroad Heritage Commission
The Heritage Center’s permanent exhibition, One More River to Cross, features the rich stories of the Underground Railroad in Niagara Falls, the crucial role played by its location and geography, and the actions of its residents – particularly its African American residents. The Heritage Center’s immersive exhibits and cutting-edge interpretation affirmatively align with the principles of the International Coalition of Sites of Conscience, whose mission is to connect the past to modern social justice issues – “to turn memory to action.”
Through painstaking research, the exhibition presents engaging digital media, graphics, scenic built environments and facilitated dialogic programming as part of the visitor experience. Scenic exhibit components include a recreation of the Cataract House – a premier international hotel that employed an entirely African American wait staff, who helped uncounted numbers of freedom seekers to freedom in Canada, just across the Niagara River. Also included is a recreation of the International Suspension Bridge, built in 1848, and rebuilt in 1855 to incorporate rail traffic, where Harriet Tubman and other freedom seekers crossed the imaginary line from slavery to freedom. Stories are brought to life with powerful images by award winning illustrator and fine artist E.B. Lewis and voice-overs by Emmy Award winning actor Keith David.
“From the very beginning, the objective for the Heritage Center was to create an immersive experience that brings to life the stories of ordinary individuals who fought for freedom,” said Ally Spongr, Director and Curator, Niagara Falls Underground Railroad Heritage Center.
The new Heritage Center focuses on stories of courageous self-emancipation by freedom seekers. Throughout the exhibition visitors experience these stories and hear from individuals past and present with the hope that these stories and connections will allow for deeper engagement, consideration of new or different perspectives, and motivation to action.
“The Niagara Falls Underground Railroad Heritage Center will not only shine a light on the significant role Niagara played at this critical time in our nation’s history but the stories of the brave men and women whose contributions to this movement we must never forget. I want to commend the Heritage Commission for their painstaking efforts to bring this educational and interactive experience to life for generations to come,” said Niagara Falls Mayor Paul Dyster.
This project is led by the Niagara Falls Underground Railroad Heritage Commission, chaired by Bill Bradberry, directed and curated by Ally Spongr, and based on research by lead historian Dr. Judith Wellman. The Heritage Center’s design-build teams include Studio Tectonic of Boulder, Colorado, Richard Lewis Media Group of Boston, Massachusetts, and Universal Services Associates, Inc., of Philadelphia, Pennsylvania.
Niagara Falls Underground Railroad Heritage Commission, 825 Depot Avenue W., Niagara Falls, NY 14305, niagarafallsundergroundrailroad.org.
New York, NY –To commemorate the 50th anniversary of the assassinations of Martin Luther King Jr. and Robert F. Kennedy in 1968, the New-York Historical Society presents an exhibition of photographs and artifacts honoring these visionary leaders who irrevocably changed the United States. On view February 16 – May 20, 2018, Rebel Spirits: Robert F. Kennedy and Martin Luther King Jr. showcases approximately 60 photographs and 30 documents and artifacts that uncover the relationship between these historic figures.
Martin Luther King Jr. (January 15, 1929 – April 4, 1968) and Robert F. Kennedy (November 20, 1925 –June 6, 1968) were born worlds apart—culturally, geographically, racially, financially, and politically—but by the time they were killed within months of each another in 1968, their worlds had come together. As their respective concerns expanded beyond civil rights and organized crime, their ties deepened to encompass shared interests in supporting the poor and opposing the war in Vietnam. This unprecedented exhibition explores the overlapping paths of their lives through images taken by some of the most renowned photojournalists of the era, including Bob Adelman, Danny Lyon, Henri Dauman, Jacques Lowe, Spider Martin, Steve Schapiro, Lawrence Schiller, and Paul Schutzer, alongside original correspondence, publications, and ephemera.
“The year 1968 rocked the nation in many ways, but it would be difficult to point to anything that shocked and sickened Americans more that year than the senseless and tragic deaths of Robert Kennedy and Martin Luther King Jr.,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “Fifty years later, the legacies of Kennedy and King still reverberate. This timely exhibition underscores the two men’s lasting impact on our nation while drawing attention to the ways in which their lives intersected. ”
Exhibition highlights include images of King and his son looking at the charred remains of a cross the Ku Klux Klan burned outside his Atlanta home in 1960, King’s mug shot after being indicted for the 1956 Montgomery Bus Boycott, and Kennedy being swarmed by an adoring crowd during his 1968 presidential campaign. Also on view are posters reading “Honor King: End Racism!” and “I Am a Man” that were carried in a Memphis march led by widow Coretta Scott King and her children on April 8, 1968, as well as a black and white “Kennedy/King” button worn by a New Yorker in memory of the two slain leaders. An adjunct display showcases the bronze sculpture of Martin Luther King Jr.―one of five existing casts created by Harlem Renaissance artist Charles Alston (1907– 1997), on loan from the Community Church of New York.
Rebel Spirits is based in part on The Promise and the Dream, written by David Margolick and produced by Lawrence Schiller for National Geographic Publishers. The exhibition was curated by Lawrence Schiller, Cristian Panaite, and Marilyn Kushner. It was produced by Wiener Schiller Productions, Inc. in association with Susan Bloom International with support from Getty Images, The Jacques Lowe Estate, and Steve Schapiro.
Lead support for Rebel Spirits was provided by provided by Leah and Michael R. Weisberg. Exhibitions at the New-York Historical Society are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, the New York City Department of Cultural Affairs, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. WNET is a media sponsor.
Published by National Geographic and written by Vanity Fair contributing editor and New York Times writer David Margolick, The Promise and the Dream: The Interrupted Lives of Robert F. Kennedy and Martin Luther King Jr. features an introduction by historian Douglas Brinkley. The book will be available at the NYHistory Store.
Several public programs will provide further insights into the exhibition and its time period. On March 6, eminent legal experts survey the evolution of the U.S. Supreme Court’s interpretations of the 14th Amendment—in commemoration of its 150th anniversary—and civil rights throughout American history, highlighting landmark cases such as Brown v. Board of Education. On April 23, scholar Randall Kennedy discusses the Supreme Court and Martin Luther King Jr. On May 21, journalist Chris Matthews sits down to explore the rebel spirit of Robert Kennedy.
The New-York Historical Society, one of America’s preeminent cultural institutions, is dedicated to fostering research and presenting history and art exhibitions and public programs that reveal the dynamism of history and its influence on the world of today. Founded in 1804, New-York Historical has a mission to explore the richly layered history of New York City and State and the country, and to serve as a national forum for the discussion of issues surrounding the making and meaning of history.
Admission: Adults: $21; Teachers and Seniors: $16; Students: $13; Children (5–13): $6; Children (4 and under): Free; Pay-as-you-wish Fridays from 6 pm – 8 pm.
Leonardo da Vinci’s masterpiece Salvator Mundi, which was purchased by Abu Dhabi’s Department of Culture and Tourism, will be exhibited at the Louvre Abu Dhabi alongside another da Vinci masterpiece, La Belle Ferronnière, which is on loan from France’s Louvre (PRNewsfoto/Abu Dhabi Culture & Tourism)
ABU DHABI, UAE, December 8, 2017 – Abu Dhabi’s Department of Culture and Tourism has announced that it has acquired Leonardo da Vinci’s masterpiece Salvator Mundi. The work, hailed as one of the greatest artistic rediscoveries of the last 100 years, will go on display at Louvre Abu Dhabi, alongside another da Vinci masterpiece, La Belle Ferronnière, which is currently on loan from musée du Louvre.
Painted by one of history’s greatest and most renowned artists, Salvator Mundi is one of fewer than 20 known surviving paintings by the Italian Renaissance master. Dating from around 1500, it is an oil on panel painting depicting a half-length figure of Christ as Saviour of the World, facing the viewer, and dressed in flowing robes of lapis and crimson. The figure holds a crystal orb in his left hand as he raises his right hand in benediction.
When the painting sold at auction at Christie’s for $450.3 million in mid-November, becoming the most expensive painting in history, no one knew the buyer or its fate.
“We are delighted to be displaying Salvator Mundi, part of Leonardo da Vinci’s rich legacy, at Louvre Abu Dhabi,” His Excellency Mohamed Al Mubarak, Chairman of the Department of Culture & Tourism said. “his is in line with our ambition to share this extraordinary museum with the world, and our mission to inspire a new generation of cultural leaders and creative thinkers to contribute to our rapidly-changing and tolerant nation.”
“Leonardo da Vinci’s masterpiece Salvator Mundi fits perfectly into the narrative of Louvre Abu Dhabi, the first universal museum to break down the barriers between the different civilizations,” Manuel Rabaté, Director of Louvre Abu Dhabi, said. “ It will be on display alongside our growing collection, and will be an exceptional treasure that no doubt will be enjoyed by our visitors.”
The museum is also preparing to open its inaugural special exhibition, “From One Louvre to Another: Opening a Museum for Everyone,” on December 21, 2017. It traces the history of musée du Louvre in Paris in the 18th century. Divided into three sections, the exhibition will look at the royal collections at Versailles under King Louis XIV; the residency of the Academy and Salons in the Louvre, converted into a palace for artists; and the eventual creation of the musée du Louvre. The exhibition will feature approximately 150 significant paintings, sculptures, decorative arts and other pieces, mainly from the collections of musée du Louvre, but also from the Château de Versailles.
Louvre Abu Dhabi includes 6,000 square metres of galleries, exhibitions, a Children’s Museum for visitors aged 6 to 12, a research centre, a restaurant, a boutique and a café. Architect Jean Nouvel’s’museum city’ (Arab madina) under a 180-metre dome, comprised of almost 8,000 unique metal stars set in a complex geometric pattern. They can walk its promenades overlooking the sea beneath the dome as the sunlight filters through, creating a moving ‘rain of light’, reminiscent of the overlapping palm trees in the UAE’s oases and traditional souqs.
Dramatic Journey of ‘Salvator Mundi’
The Washington Post reported Leonardo’s Salvator Mundi, “disappeared several times over the course of history, most recently in 1958 when it was sold alongside the rest of the Cook Collection in London. By then, though, the painting’s origin had been obscured due to overpainting and it was credited to da Vinci’s follower Bernardino Luini. It sold for only 45 pounds or about $125 today, CNN reported.
“New York-based art collector and da Vinci expert Robert Simon and art dealer Alexander Parish found the painting in Louisiana in 2005 and purchased it for $10,000.
“It then underwent a six-year restoration and verification process.
“In 2013, a consortium of dealers including Simon, Parish and Warren Adelson sold “Salvator Mundi” for $80 million to a company owned by a Swiss businessman and art dealer Yves Bouvier, Bloomberg reported. Bouvier, in turn, sold it to Russian billionaire Dmitry Rybolovlev for $127.5 million in 2014.
“Rybolovlev owned the painting until Nov. 15, when Prince Bader made it the world’s most expensive painting by shelling out $450,312,500 for it. Picasso’s ‘Les Femmes d’Alger’ (“Women of Algiers”) held the previous record of $179,364,992.”
Louvre Abu Dhabi
Louvre Abu Dhabi is a universal museum on Saadiyat Island that exhibits art and artefacts from ancient times to the present day in order to celebrate cultural exchange and diversity. Designed by French architect Jean Nouvel, the museum represents an Arab madina (city) with its 23 permanent galleries, temporary exhibition space, Children’s Museum, auditorium, restaurants, retail and a research centre. Surrounded by the sea, visitors can walk the promenades beneath the museum’s stunning dome. They can experience Nouvel’s enchanting ‘rain of light’, inspired by the shadows of overlapping palm trees in the UAE’s precious oases where travellers once crossed paths.
Art works on display originate from civilisations all over the world. They have been brought together to highlight universal themes and similar influences. This marks a departure from many traditional Western museums which clearly separate objects from different civilisations. Themes at Louvre Abu Dhabi include: the portrayal of power; the representation of the divine; exploring unknown lands; and the dawn of globalisation. Louvre Abu Dhabi has acquired more than 620 objects to date including individual works, series and collections. Some of these will be exhibited alongside 300 works on loan from 13 leading French institutions.
Louvre Abu Dhabi was created out of an intergovernmental agreement between the governments of Abu Dhabi and France in 2007. The agreement stipulates that the name of Louvre is on loan for a period of 30 years; art works from French institutions for 10 years on a decreasing basis as the permanent collection grows; and the programming of temporary exhibitions for 15 years.
Abu Dhabi’s Department of Culture and Tourism (DCT) “conserves and promotes the heritage and culture of the emirate… The Department drives the emirate’s tourism sector and markets the destination internationally through a wide range of activities aimed at attracting visitors and investment. Its policies, plans and programs relate to the preservation of heritage and culture, including protecting archaeological and historical sites and to developing museums, including the Louvre Abu Dhabi, Zayed National Museum and Guggenheim Abu Dhabi. DCT supports intellectual and artistic activities and cultural events to nurture a rich cultural environment and honor the emirate’s heritage. A key role is to create synergy in the destination’s development through close coordination with its wide-ranging stakeholder base.”
This holiday season, check out “Behind the Screen: Tim Burton’s Nightmare Before Christmas” at the McNay Art Museum in San Antonio, Texas, “An Antique Christmas” at the Taft Museum in Cincinnati, “A Brandywine Christmas” at Brandywine River Museum, Chadds Ford PA, explore “Christmas and Holiday Traditions Around the World” at the Meijer Gardens & Sculpture Park in Grand Rapids, MI, or “Home for the Holidays at Carolwood” at the Walt Disney Family Museum in San Francisco. These are just a few of the 18 holiday-themed exhibits from around the country showcased on the new ArtGeek.art search engine.
For the first time, art-lovers have one-stop access to exhibition listings around the country, to help plan vacation travel as well as spontaneous weekend excursions and day-trips.
Developed by two travel-loving museum-goers (and Santa Fe locals) for people like themselves, ArtGeek.art is the first free, constantly-updated on-line directory of the thousands of temporary art exhibitions scheduled at more than 1000 US museums.
ArtGeek.art’s robust search functionality makes it easy to discover compelling exhibitions, to bookmark favorites, and to maintain a personal list of possibilities.
What this means is that instead of visiting a city and searching for what exhibits may be going on, you can check what major exhibits are underway around the country, and design a trip around it.
By using ArtGeek.art as a one-stop search engine for exhibits, art-lovers have free access to:
1000s of exhibition listings all in one place, simplifies discovery
1000+ museums nationwide, including hundreds of lesser-known gems
The ability to search by location (state, city, museum), dates, genre, medium and artist with results displayed in a simple, easy-to-navigate format
Bookmarking, to capture appealing listings to the user’s personal list
Exhibition catalogs and other art book suggestions, with purchase link to Amazon
On-the-go discovery with the site’s fully-optimized mobile platform
To demonstrate the power of ArtGeek’s searchable database, and as a tribute to the many spectacular holiday displays around the country, its editors curated a wonder-filled list of holiday activities: 12 holiday-themed exhibitions and displays
And because there are some “must-see” art exhibitions scheduled at US museums this Winter—from Caravaggio, Michelangelo and Vermeer, to Aztecs, to Oscar—its editors created a second list of highly-recommended shows art lovers will want to know about:18 outstanding exhibitions to see this winter
“Whether planning a trip to California, New York City, or anywhere in-between, ArtGeek makes it easy and fun for art-lovers to discover art exhibitions of any type, anywhere, any time. It’s a site art-lovers will return to time and again to plan vacation travel and special art trips.”
The American Museum of Natural History in New York City is opening ¡Cuba! that will explore the extraordinary biodiversity across the Caribbean island’s remote forests, deep caves, expansive wetlands, and dazzling reefs through immersive exhibits that have been developed with colleagues at the Cuban National Museum of Natural History (Museo Nacional de Historia Natural de Cuba, MNHN) as part of a formal Memorandum of Understanding signed in Havana this summer. The bilingual exhibition will also highlight Cuba’s culture, its people, and its history.
¡Cuba! will include live animals and specimens as well as artifacts and lifelike models representing the island nation’s distinctive wildlife—many species of which are found only on the island—from a venomous mammal to the world’s smallest bird. Highlights include a re-creation of Zapata wetlands—home to the endangered Cuban crocodile—and live lizards, boas, and frogs. In addition to focusing on biodiversity, the exhibition will showcase Cuban culture and life—including art, music, spiritual traditions, celebrations, food, and farming.A long, open boulevard evoking the street life one might find in a Cuban city will invite visitors to stroll, sit, and discover Cuban culture through music, dance performances, and a variety of interactive experiences. Other highlights include a re-creation of a throne used for orisha worship, an Afro-Cuban spiritual tradition known as Santeria; a gallery showcasing contemporary Cuban art; and a room revealing the craft of cultivating one of Cuba’s most famous crops, tobacco.
As a leader in science and conservation, the American Museum of Natural History has long-standing research and capacity development collaborations with Cuban scientists at a number of institutions, including the MNHN, the University of Havana, the Cuban Botanical Society, and the National Enterprise for the Protection of Flora and Fauna.Museum scientists have led nearly 30 expeditions and field projects to Cuba over the last 120 years.
¡Cuba!is co-curated by Dr. Ana Luz Porzecanski, director of AMNH’s Center for Biodiversity and Conservation, and Dr. Chris Raxworthy, curator-in-charge in the AMNH Department of Herpetology.
¡Cuba!will be open to the public from Monday, November 21, 2016, to August 13, 2017. Museum Members will be able to preview the exhibition on Friday, November 18, Saturday, November 19, and Sunday, November 20.
Major funding for ¡Cuba! has been provided by the Lila Wallace-Reader’s Digest Endowment Fund. Generous support for¡Cuba! has been provided by the Dalio Ocean Initiative. The exhibit is sponsored by JetBlue and has received support from The Ford Foundation.
